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Alien Contact @ Movie Smackdown

May 29, 2011 Movie Smackdown 5

In the billions of stars, solar systems, and galaxies out there, our little planet is but a single speck of dust in the whirlwind of the universe. Probably, we are all starting to realize, we are not alone.

Hollywood got there earlier than the rest of us, and the film industry has told us stories of alien contact — what might happen if intelligent beings out there were to make contact with our suposedly primitive culture here on Earth — since the 1950s.

This week, Movie Smackdown! examines how alien contact is portrayed in cinema. Each day, we’ll pick another Smackdown from our Classix vault. From the brutal attack force of Independence Day to the benevolent space brothers of Close Encounters of the Third Kind, let your imagination soar as the extraterrestrial life of a crowded Hollywood universe comes calling here on Earth. […]

Contact (1997) -vs- Close Encounters of the Third Kind (1977 | 1980 | 1998)

June 20, 2009 Bryce Zabel 14

If you’re old enough to remember the marketing campaign for “Close Encounters of the Third Kind,” then you’ll remember the goosebumps you got when you heard the phrase, We are not alone. What was great about that simple sentence was that it promised a movie about aliens that was about wonder and mystery and wasn’t about the same old Hollywood treatment of life in the universe, namely that if it bothered to interact with humans it was for a nefarious reason, like “Independence Day” and “War of the Worlds.” Twenty years after “CE3” came another film that promised to make first contact a matter of humanity’s growth out of the cradle and not some intergalactic cage match. Both “CE3” and “Contact” were aliens for smart people brought to you first by the immense talent of Steven Spielberg and later by the immense intellect of Carl Sagan. In my Hollywood career, I’ve had the good fortune to discuss UFOs and extraterrestrial life with both of these men and found them to have some very different visions of the subject. They each have used film to express their views about life as it might exist “out there.” The question is, which version comes closest to what might be the truth about first contact, and which one is the better film?
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