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Super 8 -vs- E.T. The Extra-Terrestrial

Super 8 (2011) -vs- E.T. The Extra-Terrestrial (1982)

June 10, 2011 Bryce Zabel 4

“Listen, guys, we got J.J. Abrams writing and directing a film about alien contact that Spielberg’s gonna help him produce. Who’s in?”

When the words were first uttered in Hollywood, there must have been a hush in the room. Now, with the sci-fi world ablaze with anticipation, Super 8 is ready for its own close-up.

In Summer 2011′s first big swing into science fiction, this Spielbergian team-up goes with a story of kids in small town America discovering something amazing. Our Challenger Super 8 is set in 1979, just a few years before the release our Defending Champion E.T. The Extra-Terrestrial. Both films involve kids getting involved with aliens, cover-ups, and military diversions and suppressions.

And even though Steven Spielberg is on the team of this latest effort, over here at the Smack, it’s still personal. Two directors slugging it out. The brash new contender in J.J. Abrams and the wise, beloved champion in Spielberg. […]

Midnight in Paris -vs- Adaptation

Midnight in Paris (2011) -vs- Adaptation (2002)

June 6, 2011 Mark Sanchez 7

If there’s anything that sounds less appealing than watching the mental anguish of a blocked writer, we can’t imagine what it is. In fact, we can’t even begin to visualize… hold on a second… getting my thoughts straight… just have to play some Spider Solitaire while I, um… trying to focus… Huh — I didn’t know we had Cheetos….

Fifteen hours later:

Right, where were we? Oh yeah, writer’s block — it’s not pretty. Not cinematic either, until Charlie Kaufman came along and sweated blood for three years, cracking the code of how to translate to film his own innermost creative struggle in a deeply personal, throw-out-the-rulebook kind of way. His resulting screenplay for Adaptation became the Holy Grail of screenwriter movies, and under the brilliant direction of Spike Jonze (Being John Malkovich, Where the Wild Things Are), earned a slew of Academy Award nominations, including one for Best Adapted Screenplay. […]

X-Men: First Class -vs- X-Men

X-Men: First Class (2011) -vs- X-Men (2000)

June 4, 2011 The FilmGuru 4

The last time we saw mutants on the big screen, it was the disappointing third installment in the X-Men trilogy, appropriately titled X-Men: The Last Stand. What had begun as a promising franchise under the steady hand of director Bryan Singer turned to crap under the watch of replacement director Brett Ratner. As Joel Schumacher had done with the Batman franchise, so too had Ratner done with the X-Men.

Now, after five years, the mutants are back. Instead of trying to resurrect the franchise by fixing the problems of the previous film (which included killing off two of the main characters), the new franchise is starting over at the beginning with a prequel. Now we have a chance to look at two different beginnings for the X-Men franchise and see which one works better.

Now, after five years, the mutants are back. […]

Battle: Los Angeles (2011) -vs- Transformers (2007) -vs- War of the Worlds (2005) -vs- Independence Day (1996)

June 1, 2011 Bryce Zabel 12

There are alien invasions and then there are alien invasions.

This Smack is about the ones where the aliens swoop in, lasers blazing, hell-bent on some balls-to-the-wall human ass-kicking. No demands, no negotiations, just straight-ahead mayhem where the Earth is torn up with no regard whatsoever. It’s as if they’re treating our planet like a condemned building that just needs to knocked down as fast as possible so the new construction can get started. I know some folks think we’re already doing that ourselves but let’s skip the politics and just define this as apocalyptical visitation.
[…]

Incendies -vs- The Year of Living Dangerously

Incendies (2011) -vs- The Year of Living Dangerously (1982)

June 1, 2011 Mark Sanchez 0

Years ago, I reported and field-produced stories during a month-long trip into Saudi Arabia, Syria and Egypt. Well-armed authority ruled each country; I met guards with machine guns as I stepped from the plane in Riyadh, and private armies patrolled Damascus and other parts of Syria. Egypt was an active military state. This uniformed muscle enforced the appearance of order at the cost of personal freedom. This is the atmospheric real estate where the essential drama of Incendies plays out.

It now steps into the ring against a proven winner, The Year of Living Dangerously from 1982. This film combines a love story with armed revolution in Indonesia. It pushed Mel Gibson’s star even higher, and won Linda Hunt a well-deserved Oscar. Peter Weir directed and shares screenwriting credits with David Williamson and Christopher Koch in adapting Koch’s novel.

Here’s a Smackdown where lives collide with life-threatening situations. Which film survives the firepower to deliver the stronger human story? Duck and cover! […]

The Hangover Part II -vs- Bridget Jones: The Edge of Reason

The Hangover Part II (2011) -vs- Bridget Jones: The Edge of Reason (2004)

May 31, 2011 R.L. Naquin 2

It’s widely understood that men are little boys who constantly behave badly and get into trouble. Women stand by and judge, often bailing the men out of trouble. Women, of course, are the grownups of the world, while men are too immature to be left alone without female supervision.

That’s crap. Women can get into just as much trouble as men, and in fact, can behave in an equally self-destructive fashion.

In this SmackDown! it’s the boys against a girl in sequel comedies that whisk us away on ill-advised trips to Thailand. The Hangover Part II takes on Bridget Jones: The Edge of Reason in an attempt to determine which sex is the stupidest.

Can the Wolf Pack take on a lone she-wolf and come out the victorious fools?

That’s crap. Women can get into just as much trouble as men, and in fact, can behave in an equally self-destructive fashion. […]

Pirates of the Caribbean: On Stranger Tides -vs- Pirates of the Caribbean: The Curse of the Black Pearl

POTC: On Stranger Tides (2011) -vs- POTC: The Curse of the Black Pearl (2003)

May 22, 2011 The FilmGuru 8

The idea seemed outrageous. Around the turn of the century, Disney & Co. decided to translate one of its most iconic theme park rides into a film. About pirates. Seriously.

It’s not like pirates were all the rage at the time. A good pirate movie hadn’t been made since, well… Ever? Look, I never was one to get lost in the swashbuckling days of yesteryear with Errol Flynn. In my lifetime, I couldn’t remember a single good pirate movie.

Sure, pirates popped up in other films (The Princess Bride, Hook, etc.) but pirate movies weren’t popular. Think of the awful The Pirate Movie (1982), loosely based on Gilbert and Sullivan’s comic opera The Pirates of Penzance. Or how about the horrible Geena Davis vehicle Cutthroat Island (1995) that bankrupted Carolco Pictures?

The point I’m making here is that Disney’s decision to create a movie based on its Pirates of the Caribbean ride was one of those decisions that could either be called mad genius or visionary. When Pirates of the Caribbean: The Curse of the Black Pearl debuted in 2003, no one expected it would launch a box office powerhouse and a franchise that would be pumping out sequels for the next decade. […]

Will Ferrell -vs- Bill Murray

May 21, 2011 Bryce Zabel 1

Will Ferrell got booed.

Yes, you got that right. Will Ferrell, a beloved SNL comic and feature funny man, was booed by a couple of guys in the crowd I was in to see Ferrell’s new Everything Must Go. I can only assume that they saw the trailers which had been cut to make it look like a comedy, and they figured, hey, we love our man Will, so they let’s check it out.

I wondered as they left the theater just how far into the film they got before they realized it was not meant to be funny but was a tough story about substance abuse and how it can take away everything you thought you had or thought you wanted. These guys felt duped they did not get the Will Ferrell that they had paid to see.

They probably also didn’t love Bill Murray in Lost in Translation.

Most comedic actors secretly want to play serious roles. Despite what a great gift it is to be able to make people laugh, and despite how much we all need to laugh in this day and age, often times the people most talented at this want desperately to show you their “other side.” Sometimes we are very, very glad they did. Sometimes, not so much.
[…]

Resident Evil: Afterlife -vs- Resident Evil

Resident Evil: Afterlife (2011) -vs- Resident Evil (2002)

May 18, 2011 Rodney Twelftree 0

Guns, girls and zombies. Everything a film fan could want, comes together in the film saga based on the hugely popular video game, Resident Evil.

True, films based on computer games don’t have a prestigious history. For every good adaptation, there are a dozen bad ones. But in 2002, one such adaptation hit the big screen that set the bar for horror / action.

In this Smack, we’re putting on our lab coats, stirring up some carnage and introducing the Smackring to the zombie hordes of Raccoon City! Get ready to score an extra life, take your T-virus vaccination, and have that sharpened axe ready, as we set Resident Evil: Afterlife upon Resident Evil. Either way, with Milla Jovovich in both films, we win. […]

Priest -vs- Book of Eli

Priest (2011) -vs- The Book of Eli (2010)

May 15, 2011 Mark Sanchez 2

A Western is a Western, even if there are no trusty horses, Native Americans, brave pioneers, land barons or cowboy hats (or even cowboys).

These days we regularly construct our western mythology out of the apocalypse, looking to the dismal future and not the hardscrabble past.

Both our combatants today share a common set up: Catastrophe strikes. Society falls apart. The fight begins for the remaining pieces. This formula usually includes A Brooding Outsider and Someone in Distress. When you add monsters / mutants you have the rough outline of recent popular movies like I Am Legend, The Road, even The Road Warrior from 1982. The list is longer, but you see where I’m going.

What we have now is the hybrid genre of the Apoca-Western. This sturdy form is identifiable with or without those horses and a strong silent hero because it still showcases the sense of honor, justice and redemption that motivated John Wayne as the Ringo Kid in Stagecoach (1939) and Clint Eastwood’s Bill Munny in The Unforgiven (1992). Those characters could just as easily lived in the world of the Undead as the actual living.

While there are no OK Corrals in The Priest or the Book of Eli, good still stands up to evil in every incarnation. Let’s see how they stand up to each other. […]

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