review Archives - Page 3 of 6 - Movie SmackdownÂ®

Rise of the Planet of the Apes -vs- I, Robot

Rise of the Planet of the Apes (2011) -vs- I, Robot (2004)

August 5, 2011 Bryce Zabel 4

Maybe humanity won’t be #1 on Earth forever…

We’ve been used to being at the top of the heap pretty much since we picked up some stones and started making tools. But what’s going to happen if another species — real (like apes) or artificial (like robots) — gets the same idea? Fortunately, we have a couple of cautionary tales to consider that should give us pause before we get too cavalier.

Rise of the Planet of the Apes is the prequel to the re-boot of the ’60s-’70s franchise that started it all and sets out to answer the question that has always undermined the franchise: how would apes really pull this switcheroo with humankind off? With genomes being mapped and wonder drugs being tested at record speed these days, this is a film that was just begging to be made.

Back in the mid ’00s, however, I, Robot asked a different kind of question. Sparked by the breathtaking increase in computing power keeping pace with Moore’s Law or even Ray Kurzweil’s invocation of The Singularity, that question was: how much longer before these machines we built can think faster than us and what if they become conscious? […]

The Change-Up (2011) -vs- Freaky Friday (2003)

August 5, 2011 Arthur Tiersky 1

Everybody’s favorite high-concept film is back! The exclusive club for such cinematic touchstones as Vice Versa, 18 Again!, and Like Father, Like Son has a new member.

Is the notion of two likable 30-something guys who really aren’t that different switching bodies as lame as it sounds, or does the movie itself pull the ol’ switcheroo and actually work? Is the R-rated The Change-Up worthy of this respected family of films â€” most of which, in fact, are family films? […]

Glee: The 3D Concert Movie -vs- Hannah Montana & Miley Cyrus: Best of Both Worlds Concert

Glee: The 3D Concert Movie (2011) -vs- Hanna Montana & Miley Cyrus: Best of Both Worlds Concert (2008)

August 5, 2011 Robin Estrin 2

In Hollywood, America’s most beloved shark tank, nothing is more important than staying relevant. Singers can’t just sing; actors can’t just act. You’ve got to quickly become some sort of triple-threat, world-sensation or watch Hollywood unleash the sharks, which will do to you what they did to Aaron Carter (remember him?) or the Jonas Brothers (who?) as soon as their record sales started to fade. You know what they say: What goes up must come down, and all that matters is how entertaining the crash will be. […]

Exporting Raymond -vs- Looking for Comedy in the Muslim World

Exporting Raymond (2011) -vs- Looking for Comedy in the Muslim World (2005)

August 1, 2011 Arthur Tiersky 4

Two very funny men â€“ the co-creator/show-runner of one of the best sitcoms of the last two decades, and the writer/director/star of some of the best movie comedies of the previous two decades â€“ are sent to seemingly unfunny countries on the other side of the globe, both in hopes that their humor is universal enough to withstand translation and jump cultural boundaries, and both in for a series of surprises, disappointments, and comic adventures.

Phil Rosenthal’s documentary Exporting Raymond, a wise-ass chronicle of his consulting gig on the Russian version of his iconic, long-running show â€œEverybody Loves Raymond,â€ is now out on video (as of Aug. 2) after a brief theatrical run. Is it the exercise in whiny narcissism it probably sounds like? And more to the point, does it cover the same sort of gefilte-fish-out-of-water territory that Albert Brooks covered in his (fictional) Looking for Comedy in the Muslim World (2005)? Is this deja vu all over again?

Grab a bowl of borscht and a dish of saag paneer, and sit back and enjoy an international Smackdown about the wonderful universality of comedy. Or lack thereof. […]

The Smurfs (2011) -vs- The Muppet Movie (1979)

July 31, 2011 R.L. Naquin 4

Bizarre cameos, nostalgic characters, and jokes aimed at adults, all thrown into Kiddieland — the Muppets franchise has built its success on this format. Can The Smurfs compete in the ring, or are they riding entirely on warm, fuzzy memories of the â€˜80s?

Most movies for kids are either cutesy fluff or rapid chains of sight gags and butt jokes. A nod and a wink alluding to some adult, inside joke might get thrown in to keep the grownups from getting restless. In Madagascar, for example, a lemur runs around in a panic yelling â€œItâ€™s a cookbook!â€ referring to an old Twilight Zone episode. That one was for Mom and Dad, since few 5-year olds are well-versed in old sci-fi classics. I laughed like a maniac. My kids were unmoved.

On the other hand, there are movies intended for adults and kids to share together. The shorties are entertained, but the adults are rewarded with surprise cameos, grownup quips, and best of all, a healthy dose of nostalgia. […]

Captain America: The First Avenger (2011) -vs- Batman Begins (2005)

July 24, 2011 Bryce Zabel 3

These two characters are flagship iconic brands for the Marvel and DC universes. It’s almost impossible to conceive of either of them really existing properly without what these characters bring to the table, whether that table is part of the Avengers or the Justice League.

Batman has clearly outstripped Captain America in overall name recognition in our times (although that could change), but both characters are equally important in what they mean to their caretakers.

Like the new Green Lantern, X-Men: First Class and Thor from earlier in the summer, Captain America: The First Avenger is an origin story. So, too, was Batman Begins when it came out in 2005. Captain America hopes to launch a franchise while Batman re-booted a faded franchise by starting over.

Despite my historical embrace of the First Avenger, I promise as a former honorary junior member of the Justice League of America, I am perfectly capable of rendering a judgment for the Dark Knight if he’s deserving. So then — which of these origin films is the most successful adaptation from the page to the stage? Here’s the Tale of the Tape, matching up with the 2011 San Diego Comic-Con. […]

Harry Potter and the Deathly Hallows (2011) -vs- The Lord of the Rings: The Return of the King (2003)

July 15, 2011 Eric Volkman 31

One finale to rule them all! Two beloved (not to mention lucrative) film franchises come to an end with these offerings and, more momentously, face each other in a Movie Smackdown of truly epic proportions.

The stakes in the two stories are similarly high, with heroes whoâ€™ve had the odds gradually stacked against them to the point of near-impossibility for success. In The Return of the King, the spirit of the evil sorcerer Sauron — in the form of a fiery, all-seeing Eye — lives and schemes for total victory against our vulnerable protagonists. Meanwhile, in Potter-land, Team Harry has to mount a quick and effective defense against Voldemort and his army, who are on the brink of completely taking over the magic world, destroying Hogwarts and killing its good students and faculty.

The sword-wielding, ring-bearing humans, hobbits and elves of Peter Jacksonâ€™s ultimate Rings face off against the spells and talismans of Harry and his young wizard pals. Which side will prevail? […]

No Strings Attached (2011) -vs- What Happens in Vegas (2008)

July 15, 2011 Arthur Tiersky 6

Ashton Kutcher has led a charmed life. Since breaking out as a sitcom star with That â€˜70s Show in 1998, he married Hot Babe Brat-Packer-Turned-Actress-Turned-Celebrity Demi Moore and produced and hosted a veritable buttload of mindless but lucrative reality shows. Now, the undisputed Twitter king and anti-child-pornography crusader, he’s been recruited to fill the puke-stained shoes of Charlie Sheen on sitcom cash cow Two and a Half Men, leaving America relieved that Sheen did not, despite concerns, do enough cocaine to kill two and a half men, but at the same time alarmed by the potential disruption this will cause to Ashton’s film career.

Yes, Kutcher has also starred in several movies, the lion’s share of which were broad comedies largely ignored by America, fortunately for Kutcher (and America). Earlier this year, however, it seemed like he was dipping his toes into the water of more mature projects such as No Strings Attached, a fairly realistic comedy/drama/romance, which featured no less than two Oscar winners as well as that Indian chick from The Office (Mindy Kaling).

With Kutcher set to (temporarily at least) abandon filmdom for TMZâ€™s favorite sitcom, itâ€™s time to evaluate his still-young career once and for all: Is Kutcher a major movie talent whose agents having trouble finding him the right projects, or did his film career peak early with Dude, Whereâ€™s My Car, essentially a rehashing, so to speak, of his success on That â€˜70s Show, thus making his U-turn back to sitcom-land a wise career move?
[…]

Horrible Bosses (2011) -vs- Office Space (1999)

July 11, 2011 Rebecca Coffindaffer 2

We love to watch glamorous Hollywood people be glamorous. More than that, we love to watch glamorous Hollywood people pretend to be Just Like Us and satirize the humdrum jobs the majority of Americans — at least, those of us lucky enough to be employed — are stuck with.

Thatâ€™s the reason workplace comedies go over so well: Theyâ€™re accessible and relatable, and God, donâ€™t we all need a good laugh to get through the work week now and again. Itâ€™s a time-honored tradition from The Apartment to 9 to 5, and it even includes Dilbert and The Office, for those whose tastes run toward comic strips and TV.

When these satirized workers, over-burdened with indignities, finally snap, we get an offshoot of the office comedy — the Everyman-gets-his-revenge line, which serves up a satisfying order of comeuppance along with the laughs. Mike Judgeâ€™s Office Space typifies this subgenre, looking to prove there are still plenty of laughs to be milked from the rebellion of the American cubicle jockey. Now Horrible Bosses takes the ring against it with an impressive opening weekend at the box office. […]

Zookeeper (2011) -vs- Dr. Dolittle (1998)

July 10, 2011 Nicole Marchesani 2

Animals have more acute senses than people do and an entirely different way of looking at things, so it stands to reason that audiences have been lapping up talking animal stories since that snake was introduced in the first act of Genesis. Hollywood really pricked up its ears back in â€™98, when the Dr. Dolittle remake starring Eddie Murphy became the highest grossing live-action film ever made in the genre. Thatâ€™s when the industry started tossing them out like so many chew-toys: the Babe sequel, Stuart Little, Narniaâ€¦ and that doesnâ€™t even count animation.

Now, along comes Zookeeper, which has more than a few things in common with the good Doctor: a depressed animal that needs tender loving care, a know-it-all beast that dispenses good advice when necessary, a really annoying creature that talks too much, and a likable human being — in this case played by Kevin James — who has less success with his own species than he does with his furry friends. Dr. Dolittle and Zookeeper both go for the laughs, but both also play as wish-fulfillment for the odd duck within us all — the one that craves a little primal understanding when we donâ€™t quite fit in. […]

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