Classic Smackdown alert! L.A. vs. New York! East Coast vs. West Coast! Cars vs. Subways! Dark romantic hit ’10s musical vs. Dark romantic flop ’70s musical! Studly leading man De Niro vs. studly leading man Gosling! Winsome Stone vs. irrepressible Minnelli. […]
With Father’s Day fast approaching, what better time to celebrate the firm, guiding hand of the man who once taught you how tie a Windsor knot, light a campfire and masturbate to pictures of your grandmother, leaving the used Kleenex for her to clean up? Or at least that’s what Sony Pictures apparently believes, as it unleashes the latest Adam Sandler offering on American filmgoers this weekend. […]
Everyone likes seeing David whip Goliath, especially these days, with people absorbing the emotional toll of a tanking economy, with limited prospects for recovery. At times like these, we all become like Network’s Howard Beale, shouting, “I’m mad as hell, and I’m not going to take it anymore.†Why else does Occupy [your city here] keep rolling? […]
Both films share the same basic underlying premise from the novel by John Godey. And Godey’s premise is a goody — four gunmen hijack a New York City subway train and demand a huge ransom be paid within the hour. The money must not be late in arriving because for every minute thereafter, one of the hostages will be shot. No exceptions. What ensues is a deadly cat and mouse game of verbal sparring between the leader of the highly armored gang and the unlucky transit official who must do everything possible to delay the inevitable. It’s said that Benito Mussolini kept the trains running on time. Does Tony Scott do the same for the New York Transit Authority? Or is the original the better ride? It’s time to get out the subway tokens — all aboard!
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