misogyny

With her historic win, the narrative going into the Academy Awards gets a little trickier and a lot more fun. As everyone knows who cares, “Avatar” director James Cameron and Ms. Bigelow were once married. It’s like the perfect set-up for a Nancy Meyer rom-com. The other likely Oscar nominees — Jason Reitman, Lee Daniels, and Quentin Tarantino — go into the race as also-rans and bridesmaids, unburdened with the compelling domestic drama — Divorcee Twelve Million Grossing David Potentially Clobbers Her Ex-Box Office Goliath. No one’s betting on a big upset. After all, only six DGA winners have failed to repeat their wins on Oscar night. Forty-seven of the films that won the DGA prize went on to win best picture at the Academy Awards, and so the “Inglorious Basterds” momentum that seemed to be building at the SAG awards screeched to a sudden halt. “Avatar” has splintered every box office record in its path, but Cameron’s Golden Globes acceptance speech wasn’t terribly humble or eloquent; Bigelow’s at the Broadcast Film Critics was. These early awards season speeches are dry runs, virtual auditions. The industry tunes in and decides which player they want to represent them on the Big Night. Reitman’s consistently adorable and convincingly humble; they’ll surely give him a screenplay award. Tarantino is something of a loose cannon; if he dressed a little better, he’d probably have more of a chance. Hollywood is a giant high school, and the directors are running for class president. (The movie stars vie for prom king and queen.)
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