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The Time Traveler’s Wife (2009) -vs- Adam (2009)

August 18, 2009 Sherry Coben 6

Both films are perfectly dreadful/wonderful in entirely different (if entertaining) ways, and it’s going to be difficult coming up with a clear winner; however, it will be delightful deciding which guy would make the dreamier husband. The women on hand provide no contest whatsoever; Rose Byrne’s performance is whiney and borderline creepy while Rachel McAdams’ baby blues shine with love and mysteriously undying affection, unearned and bizarrely inexplicable as that devotion may be.
(A side note/rant: We’re up to our necks in foreigners playing Americans, something of a regular occurrence when it comes to romance on film. Either we Yanks don’t like our fantasies homegrown or perhaps the insistent inclusion of the British Commonwealth incrementally expands the international audience. Whatever the reasons, Aussie Rose Byrne fumbles a bit as an utterly unconvincing New York Jewess named Beth opposite always adorable Brit Hugh Dancy who plays the Asperger’s afflicted Adam with a wide-eyed, slack-jawed and only slightly bogus earnestness. Aussie hunk Eric Bana scores as genetic anomaly Time Traveler midwesterner Henry while as his wife, Canadian Rachel McAdams manages a reasonably convincing (if geographically vague) Chicago WASP-y rich girl. Like Gerard Butler in “The Ugly Truth ” and Kate Winslet in “Revolutionary Road,” they all affect flat and frustratingly unspecific American accents, rendering them a tad generic, creepy and alien. I’m sure critical denizens of the UK experience similar difficulties with Renée Zellweger (Bridget Jones) and Michelle Pfeiffer among many others. This accent stuff isn’t for sissies; one wonders why romantic leads can’t hail from their countries of origin and skip this pseudo-Middle Atlantic guff altogether.)
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Funny People (2009) -vs- Punchline (1988)

August 2, 2009 Mark Sanchez 3

Both make you laugh, and one lets you feel better about it. “Funny People” connects aspects of Judd Apatow’s life with his one time roommate, Sandler. For his part, Sandler gives another of his hybrid performances, not exactly funny or convincingly serious. Rogan and Hill play roles just like the ones performed in their recent movies. They offer no surprises. Leslie Mann is affecting as the old flame who is uncertain — for a time — about what she wants. The film showcases nice cameos of working comics, real Funny People: Paul Reiser, Charlie Fleischer, Sarah Silverman, Norm MacDonald, George Wallace (he even appeared in Punchline). There are some great moments with James Taylor, and inside the office of George’s Swedish doctor. At 146 minutes, I won’t be the first person to suggest “Funny People” may be a half-hour too long. There’s also the humor: After awhile I wasn’t laughing so much at the sex jokes. As for Sandler’s character, there’s no personal growth. He remains the same schmuck throughout.
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(500) Days of Summer (2009) -vs- Annie Hall (1977)

July 31, 2009 Jackie Zabel 9

(500) Days of Summer takes many of its cues from a certain New York filmmaker, making it similar to a pivotal movie in the entire rom-com genre, Woody Allen’s Annie Hall. Maybe that’s what got the screenplay nominated this year by the Writers Guild of America.

What unites both films here is their exploration of male feelings. Yes — guy feelings — and not just lust. Both men have a desire to connect with a woman that goes beyond plugging into a sexual electric socket (although both celebrate first plug-ins, as it were), but really these guys want a relationship based also on meeting emotional needs as well as their romantic visions of love.

Here’s the Smackdown question: Has Annie Hall aged well enough to still hold onto its crown, or is it just an aging fighter, great in its day, but no match for the moves of a younger, better-trained opponent? Let’s go to the movies and find-out… […]

The Ugly Truth (2009) -vs- Romantic Comedy

July 25, 2009 Sherry Coben 15

Once again, Hollywood perpetrates a hate crime against humanity and romance disguised as harmless piffle. “The Ugly Truth,” yet another bright-and-shiny anti-romantic comedy, flounces into our midst, full of makeovers and double entendres, movie stars and other clichés that might fool you into thinking it’s enjoyable. Perhaps I’m getting crabby after so many dollars have been picked from my metaphorical pockets by this Godforsaken genre, but it’s high time to go back to the drawing board. I surrender, Studio Executives. Gimme a time machine. A time machine or a movie emporium that screens the romantic comedy classics I love, the theater of my mind. Please return to making the kind of movies that made me fall in love with love and movies.
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Up (2009) -vs- Wall-E (2008)

June 22, 2009 Stephen Bell 8

A year ago on this very site, a small, garbage-collecting robot named “Wall-E” dethroned the king of computer animation, Pixar’s beloved “Toy Story.” The film found gigantic success, being hailed by critics, winning the Academy Award for best animated feature and receiving a nomination for Best Screenplay. “Wall-E” transformed the genre and pushed the limits of innovation and creativity. Now, a year after its historical upset, “Wall-E” stands ready to defend its title against the newest of Pixar’s animated giants, the high-flying adventure story “Up.” Headlining opening night of the Cannes Film Festival, a feat never before accomplished by an animated feature (let alone an American one,) “UP” and its cast of elderly men, children and talking dogs (you heard me) have entered the world of cinema at full steam, their focus fixed solely on taking our favorite robot’s crown. Will “Wall-E” have enough strength to put down its first challenger, or will his reign prove a short one? Let’s find out!
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