Joel Edgerton

When I first saw the trailer for The Odd Life of Timothy Green, it seemed so quirky and original that I was surprised to learn it had a perfect Smackdown opponent waiting in semi-obscurity to face off against it. Foster, released in 2011 but only seen by a handful of people — most of them probably in London art houses — is so similar to Timothy Green in concept that I began to question the latter’s provenance. (As it turns out, Timothy is not a recast Yank version of Foster but an original script by director Peter Hedges, from a story by Ahmet Zappa, one of Frank’s kids.) Both films are gentle fairy tales that examine family relationships. Both involve children, who magically appear when they are most needed and manage to teach their troubled adoptive parents a thing or two about love and parenting. Both fathers are in jeopardy of losing their jobs, which the magical children in their lives are also able to help them address. And both are full of hokey life lessons, yet surprisingly are able to touch audiences in a genuinely heartfelt way. […]