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Beau’s Ten Best Films of the Past Ten Years

December 22, 2009 Beau DeMayo 5

The criteria I used is pretty simple: which films are not just good but really impacted the world of film? It’s relatively easy to make a film that entertains. And, in some ways, it’s even easier to make a film that does something “different” and “new.” But to make a film that both entertains and moves you, while advancing the art of filmmaking…that’s pretty hard. So let’s get this ball rolling as we reflect on a most eclectic period of film…
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The Ugly Truth (2009) -vs- Romantic Comedy

July 25, 2009 Sherry Coben 15

Once again, Hollywood perpetrates a hate crime against humanity and romance disguised as harmless piffle. “The Ugly Truth,” yet another bright-and-shiny anti-romantic comedy, flounces into our midst, full of makeovers and double entendres, movie stars and other clichés that might fool you into thinking it’s enjoyable. Perhaps I’m getting crabby after so many dollars have been picked from my metaphorical pockets by this Godforsaken genre, but it’s high time to go back to the drawing board. I surrender, Studio Executives. Gimme a time machine. A time machine or a movie emporium that screens the romantic comedy classics I love, the theater of my mind. Please return to making the kind of movies that made me fall in love with love and movies.
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Without Limits (1998) -vs- Prefontaine (1997)

July 14, 2007 Bryce Zabel 44

To this day when the major track running events are held, it’s a safe bet that plenty of people remember the gutsy runner who pretty much owned distance running back in the day, Steve Prefontaine. In the late 90s, Hollywood bizarrely made two films back-to-back about the legendary distance runner, and you may be tempted to go rent one of them to see for yourself what the fuss was all about.

About a decade after that box-office match-up, my wife and I had a Hallmark Channel film shooting out here in Los Angeles, Chasing a Dream, about a high-school athlete who decides to go for a sub-four minute mile. During the time we were polishing up our screenplay’s last draft before production, we looked for a little inspiration and watched both Prefontaine and Without Limits within a couple of days of each other. It was like a film school assignment to see what different production teams and actors could do with essentially the same source material. But there was another element here, for me, that put even this challenge through a separate creative filter.

Steve Prefontaine wasn’t actually a legend to me, you see, because I was there when he was breaking all these incredible records. […]

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