We didn’t see this one coming… We’ve told you about Surrounded by Enemies: What if Kennedy Survived Dallas?, the alternate history book written by Movie Smackdown’s evil genius Bryce Zabel, edited by our own word wrangler […]
2012 was a year of countless blockbuster disappointments, a handful of sleeper gems, several overhyped critical darlings, some masterful documentaries and foreign films, loads of forgettable dreck, a couple of delightful surprises, and no genuine […]
Our “Dark Skies” has established itself in the minds of a significant number of science fiction fans as a gripping piece of conspiracy drama set in the world of UFOs and abductions. It anchored NBC’s Saturday night “Thrillogy” concept in the 1996 season premiere and starred Eric Close (“Nashville”) and the late film character actor J.T. Walsh (“Sling Bladeâ€). Its main title design won the Emmy award and its pilot screenplay received a Writers Guild nomination. The Syfy Channel aired the entire series multiple times. Since 2010 there’s been a Facebook page where thousands of fans from many different countries push Sony for a TV revival. […]
Because we are diligent culture-watchers operating here at The Smack, we come to this day well-prepared. We’ve had each of the nominated “Best Picture†films in the Smack ring already. Not all of the films below even won their Smacks, but we’re not telling which ones. 😉
This offers us the chance, here in this single post, to create a gateway for you to lots of fresh writing, keen observation and (of course) a general lack of respect for authority, cinematic or otherwise. It gives me a chance to brag about the talent of Art Tiersky, Eric Volkman, Nicole Marchesani, Mark Sanchez, Rebecca Coffindaffer and Ben Silverio; their work is all available below. The really great artwork below and above is all from Lynda Karr. […]
The Artist is this year’s most talked about and most overrated film. Yes, it’s charming and filled with lovely, touching performances and indelible moments of black and white reveries of movies and times past. It is a wonderful homage to an era long gone. Its obvious relevance to today is its theme of technology leaving many obsolete in its wake. There’s a familiar resonance to the despair many feel in today’s technological storm, which has left so many jobless and even homeless. But the film touches on that theme in a broad, superficial way. “Modern Times†it is not. It’s a singular, gimmicky, almost-silent film that works on every level except one of true substance. And, I believe, a best picture of the year should do more than charm. […]
Despite the major studios’ insistence on making primarily mega-budget, tent-pole, comic-book, sequel-remake, monster-alien-scifi films as their bread-and-butter, challenging and compelling original films do get made every year through alternative means. And, despite the harping and complaining we all do, there always seems to be a great crop that bridge the divide and are worth saluting. Those are the kinds of films that the Academy Awards gravitate to as their nominees. […]
That’s right. Everyone in Hollywood already knows The Artist is going to win Best Picture. It has already won top honors at the awards ceremonies for the Golden Globes, Critics’ Choice and Producers Guild. Sure there […]
If Hollywood were some dysfunctional family unit, then Ricky Gervais is the crazy drunk uncle who comes to your house and tells inappropriate jokes that horrify and crack everybody up in equal measure. You don’t know whether to throw him out or tolerate him, until he crosses the line and says something about grandma’s nasty bathroom habits, and when he gets called on it, he’s had too much to drink already, and he storms off to the nearest hotel to sleep it off. Then, the next year, you all assume he should never be re-invited, but the memories have dimmed of the off-color jokes and all you remember is how much fun you had. […]
In our Hollywood family, Billy Crystal, in contrast to Ricky Gervais, is the really funny older brother or family friend who tells great stories, knows a couple of magic tricks for the kids, can lead with “Happy Birthday” or “Hava Nagila” when called upon and, when the kids are out of earshot, is renowned for his annual telling of some off-color joke that is perfectly calibrated to shock but not really offend anyone. You know he won’t cross the line, really, because he’s a good guest — he’s come to the last eight dinners and each one was a warm memory, even if you can’t quite remember one from the other. They all kind of blend together but he’s so nice and, besides, he’ll show up even if you ask him late because that cute guy from the office can’t make it after all. He’s Jay Leno-safe, except that he can also sing and dance. […]
50/50 deserves every bit as much Oscar love as The Descendants which is going to get its share. Both films are about dealing with terrible news and living through those stages of grief and 50/50 more than holds its own in that comparison.
Instead Academy members will probably see 50/50 as a diversion for people in their 20s, as light and comedic, and as another Seth Rogen getting stoned kind of movie. Well, it is actually those things within its frames, but it is so much more. […]
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