News Ticker

District 9 (2009) -vs- Cloverfield (2008)

August 17, 2009 Rodney Twelftree 1

It’s that time of year again: the American blockbuster summer season, and again, we are under attack. Yeah, okay, so Katherine Heigl has inflicted some cinematic travesty yet again, but instead of being attacked by simpering, romantic fluffery, it’s the good old Hollywood staple: aliens. Thank God, because if I have to sit through another “He’s just Not That Into You” or “The Ugly Truth” I might just have to invent my own giant green death ray and obliterate something important. Last time round, the big monster tore shreds out of the Big Apple, gave the viewing public a real scare, and brought back vivid memories of “The Blair Witch Projects” vomit-inducing cinematography. This time, the extraterrestrial interlopers have been given a suburb of Johannesburg to inhabit, with typically human racist attitudes again becoming the most prevalent problem they face, as well as our desire to develop their technology into weaponry so we can destroy each other more effectively. So which one of these two modern alien blockbusters would have the upper hand in pitched battle? Read on to find out more. Oh, and if you’re an alien, please discontinue reading now. This computer is being monitored.
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Moon (2009) -vs- Solaris (2002)

June 15, 2009 Bryce Zabel 7

“Moon” (2009) -vs- “Solaris” (2002). “Moon” is the latest little film that could — made for $5-million — about a very big idea. It comes to us direct from director Duncan Jones who, helpfully I’m sure, is David Bowie’s son. Dad’s “Space Oddity” came out in 1969, the year after “2001: A Space Odyssey” was released and blew the minds of a generation of stoned college students. Besides, the granddaddy of science-fiction Jones’s sci-fi thriller has also been compared to “Silent Running,” “Alien,” “Outland,” and even, in one key element, “Blade Runner.” We’ve thrown our share of films into the Smackdown ring against “2001,” but it seems a fresher and more appropriate opponent is Steve Soderbergh’s re-make of “Solaris.” Both “Moon” and “Solaris” serve up disorienting helpings of the isolation of space, the sense that things are not what they seem, romance bent by quantum physics and leading men who think that, just maybe, they are losing their minds.
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Fire in the Sky (1993) -vs- Communion (1989)

June 14, 2009 Bryce Zabel 11

The truth about alien visitors may actually be different than what Hollywood has traditionally told you. On the one hand we’ve had the space brothers who have come to help us save the planet and ourselves (“Close Encounters,” “The Day the Earth Stood Still”). On the other hand, we’ve had the cosmic badasses who’ve come to create hell on Earth (“War of the Worlds,” “Independence Day”). The two films in our Smackdown ring each suggest another alternative. The aliens are here for a more unknown purposes. They’re not cuddly scientists like “E.T.” but bizarre and harsh. Both “Communion” and “Fire in the Sky” tell us that they’re here taking people out of their homes and neighborhoods in the middle of the night, tagging them like deer in a Lyme disease study, probing and poking them in ways that suggest rape as much as anything else. Possibly more unsettling is that these two films were both based on books which were based on true stories. You may scoff at the word “truth” here but, the fact is, the central characters in each — Whitley Strieber and Travis Walton — have both passed lie detector tests. Show me a Hollywood agent who could do that about today’s phone list and you’ll begin to appreciate the accomplishment. The questions — as we continue our film exploration of alien contact — are, which version comes closest to what might be the truth about alien intentions here on Earth, and which one is the better film?
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