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Moon (2009) -vs- Solaris (2002)

June 15, 2009 Bryce Zabel 7

“Moon” (2009) -vs- “Solaris” (2002). “Moon” is the latest little film that could — made for $5-million — about a very big idea. It comes to us direct from director Duncan Jones who, helpfully I’m sure, is David Bowie’s son. Dad’s “Space Oddity” came out in 1969, the year after “2001: A Space Odyssey” was released and blew the minds of a generation of stoned college students. Besides, the granddaddy of science-fiction Jones’s sci-fi thriller has also been compared to “Silent Running,” “Alien,” “Outland,” and even, in one key element, “Blade Runner.” We’ve thrown our share of films into the Smackdown ring against “2001,” but it seems a fresher and more appropriate opponent is Steve Soderbergh’s re-make of “Solaris.” Both “Moon” and “Solaris” serve up disorienting helpings of the isolation of space, the sense that things are not what they seem, romance bent by quantum physics and leading men who think that, just maybe, they are losing their minds.
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Movie Smackdown by Wordle

June 15, 2009 Bryce Zabel 1

The Taking of Pelham 123 (2009) -vs- The Taking of Pelham One Two Three (1974)

June 15, 2009 Bob Nowotny 2

Both films share the same basic underlying premise from the novel by John Godey. And Godey’s premise is a goody — four gunmen hijack a New York City subway train and demand a huge ransom be paid within the hour. The money must not be late in arriving because for every minute thereafter, one of the hostages will be shot. No exceptions. What ensues is a deadly cat and mouse game of verbal sparring between the leader of the highly armored gang and the unlucky transit official who must do everything possible to delay the inevitable. It’s said that Benito Mussolini kept the trains running on time. Does Tony Scott do the same for the New York Transit Authority? Or is the original the better ride? It’s time to get out the subway tokens — all aboard!
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Fire in the Sky (1993) -vs- Communion (1989)

June 14, 2009 Bryce Zabel 11

The truth about alien visitors may actually be different than what Hollywood has traditionally told you. On the one hand we’ve had the space brothers who have come to help us save the planet and ourselves (“Close Encounters,” “The Day the Earth Stood Still”). On the other hand, we’ve had the cosmic badasses who’ve come to create hell on Earth (“War of the Worlds,” “Independence Day”). The two films in our Smackdown ring each suggest another alternative. The aliens are here for a more unknown purposes. They’re not cuddly scientists like “E.T.” but bizarre and harsh. Both “Communion” and “Fire in the Sky” tell us that they’re here taking people out of their homes and neighborhoods in the middle of the night, tagging them like deer in a Lyme disease study, probing and poking them in ways that suggest rape as much as anything else. Possibly more unsettling is that these two films were both based on books which were based on true stories. You may scoff at the word “truth” here but, the fact is, the central characters in each — Whitley Strieber and Travis Walton — have both passed lie detector tests. Show me a Hollywood agent who could do that about today’s phone list and you’ll begin to appreciate the accomplishment. The questions — as we continue our film exploration of alien contact — are, which version comes closest to what might be the truth about alien intentions here on Earth, and which one is the better film?
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Mad Men (2009-2007) -vs- Revolutionary Road (2008)

June 13, 2009 Mark Sanchez 1

In the age of instant communication, instant gratification looking back 50 years seems like a trip in the way-back machine. Many of us remember this as the time our parents scrambled to attain a level of security described by the catchall American Dream.
We tie this period before the Cuban Missile Crisis to hula hoops, fallout shelters, drive-in movies, TV dinners and American Bandstand. This was a time when people in the background –mostly men– worked overtime branding these cultural signposts as passports to the good life. This period matters. It directed the shape of many of our lives.
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Terminator Salvation (2009) -vs- The Terminator (1984)

May 22, 2009 Mark Sanchez 11

The basic idea of mechanized death traveling through time to alter the future carried three feature films and a now-canceled TV series. All rework the storyline to emphasize different aspects of a familiar fable. They succeed to varying degrees and set a high bar for whatever follows.
“Terminator Salvation” faces tall tasks in this Smackdown!: Does it succeed as a film on its own merits, while advancing the memorable elements set forth in “The Terminator?” Will you hear “I’ll be back” and wonder why?
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Angels & Demons (2009) -vs- The Da Vinci Code (2006)

May 16, 2009 Mark Sanchez 6

Both films serve up clues in much the same way those police procedural shows unpeel that onion on TV: One piece exposing another and another. This imposes a certain predictability to the storytelling structure, if not the outcome.
That convention doesn’t help “The Da Vinci Code” very much, although it tries very hard. The story plunges into arcane church history, obscure alliances, shady characters and wide ranging speculation. This movie desperately needed to ratchet back the mystery because it hampered the storytelling pace. Director Howard handles this gamely, even creatively, but his bench lets him down. Tom Hanks and Audrey Tautou have their moments, but too often they are wooden together. So is the dialog. In spots the lifeless speechifying makes Hanks, a two time Academy Award winner, sound like he’s in “Plan 9 from Outer Space.”
Winning performances by McKellen, Bettany and Jean Reno as an obsessed police captain raise the interest level. So does the buzz surrounding “The Da Vinci Code” outside the theater.
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Star Trek (2009) -vs- Star Trek: Wrath of Khan (1982)

May 8, 2009 Beau DeMayo 14

Reboots. A familiar frontier. These are the voyages of the Hollywood business. Now if only I could go reboot the time I bested too many Jager shots and woke up at the campus bus stop twenty minutes before a Physics midterm. Now, it’s easy to groan when Hollywood reboots yet another franchise. Batman. Hulk. James Bond. The list goes on. Up this year is Star Trek, one of television’s most enduring franchises, spawning spin-offs, films, video games, and Trekkies. With such a long history and devote fan base, it’s scary to think what a reboot could mean for a franchise most believe reached its prime with Star Trek II: The Wrath of Khan. Nevertheless, we boldly go tonight where no smackdown has gone before, with Star Trek II: The Wrath of Khan locking phasers and photons with the reboot simply titled Star Trek.
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Ghosts of Girlfriends Past (2009) -vs- Star Trek (2009)

May 7, 2009 Sherry Coben 0

Letâ€™s say itâ€™s date night and youâ€™re the girl. Common wisdom might suggest youâ€™d be happier arm-twisting your significant (or insignificant) other into the theater for a dose of movie star magic featuring McConnaughey and Garner. Your distaff halfâ€™s pining in an entirely different testosterone-fueled direction. Should you give in and check out the Trek or put your high-heeled foot down and insist on the rom-com? Letâ€™s do this. Captain James Tiberius Kirk vs. Connor Meade. Two alpha/hound dogs who have their way with women.
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Galaxy Quest (1999) -vs- Spaceballs (1987)

May 6, 2009 Mark Sanchez 5

Repackaging grows new legs for a movie and, for many viewers, improves the experience with better sound, cleaner prints and those behind the scenes features. In “Galaxy Quest” you hear the affection Director Dean Parisot and writers David Howard and Robert Gordon clearly have for the material. The question: Does all that backstage chatter ramp up YOUR affection?
There’s also the matter of another movie already patrolling the universe for laughs. Mel Brooks called outer space “the last genre I can destroy” and worked over “Star Wars” in 1987’s “Spaceballs.” He came out with related features on a 2000 DVD. Mel couldn’t leave well enough alone, and released a 2005 Collector’s Edition with even more goofiness.
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