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Cyrus (2010) -vs- City Island (2009)

July 25, 2010 Sherry Coben 2

Summertime and the movie theaters fill with audiences seeking relief from all that heat and sun. Who needs 3D, tired franchises, vampires and werewolves, chases, aliens, explosions, and CGI? Not me. Gimme an indie film with a half-decent script, a well-chosen cast, a fresh point of view, recognizable human behavior and I’m there. I’ll always opt to bypass the long lines and head for the arthouse to spend a couple of hours watching a dysfunctional family as long as it’s not my own.
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Round 2: Inception

July 18, 2010 Beau DeMayo 7

Having seen Inception twice now, I feel the need to clarify a few points in my earlier review, as I said that my review — in all fairness — was half incomplete as Inception demands a second viewing. After having now seen it twice, I would definitely say this is a movie that must be seen twice. […]

Inception (2010) -vs- The Dark Knight (2008)

July 16, 2010 Beau DeMayo 14

Christopher Nolan. The Dark Knight. That’s all about you need to know when it comes to how Inception has been marketed, a film whose title could easily be mistaken as “From The Director of The Dark Knight” as its actual title.

Inception and The Dark Knight are two movies that are so radically different, yet so fundamentally the same. Both films strive to do something radically different with their genres, turning the typical tropes on their heads and challenging audiences to keep up.

Now we put what many consider to already be Nolan’s masterpiece up against his newest film. Another masterpiece or just another movie? […]

Can Inception Save The Movie Industry?

July 14, 2010 Beau DeMayo 6

Friday at 12:01 a.m., the first batch of non-critic moviegoers will see “Inception”, Christopher Nolan’s new sci-fi existential heist flick.  This week, critics spiralled into an ego war, some lauding the film as a cinematic […]

Joan Rivers: A Piece of Work (2010) -vs- The September Issue (2009)

July 14, 2010 Sherry Coben 3

Joan Rivers has lived a long life full of public peaks and valleys characterized by a seemingly indomitable spirit that is more than matched with an undimmed, keen intelligence and canny rebound. This documentary follows this remarkable septuagenarian through a year of huge risks. It doesn’t even touch on her breakthrough QVC savvy or her single-handed revolutionizing of the celebrity fashion world; we see her stand-up, still remarkably raw and fearless and funny. We travel onstage with her; her non-stop schedule takes her to the most unfortunate dives in the remotest of towns and to huge venues more suitable to her stature. Through it all, she tells us everything and nothing; we learn much about her, but ultimately, the mystery of another person remains there just within and just beyond our grasp. We get hints as to what exactly makes this particular human dynamo tick so long and so loud, but like her very familiar and forever-morphing face, the secrets of her undeniable pain and struggle, while glaringly right there in front of us, remain hers. We want to reach out to her and thank her, to hug her, to provide her a moment’s peace, but alas…this life force goes it (unstoppably and perhaps unreachably) alone.
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Predators (2010) -vs- Predator (1987)

July 9, 2010 Mark Sanchez 7

“Predators” spreads the interest around. As a group, the cast outperforms their counterparts in the earlier movie. Adrien Brody (bulked up for the role) as the team leader easily shows depth and dramatic complexity that is beyond Arnold. The same is true of every member of this kidnapped and ill-fated cast. Alice Braga, Topher Grace and Laurence Fishburne especially stand out. The all have something interesting to do. Especially since it involves steering clear of the creatures and different predators inhabiting this outer space game preserve.
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Micmacs (2009) -vs- A Very Long Engagement (2004)

June 28, 2010 Sherry Coben 4

An intensely visual director, Jeunet’s imagery remains consistently fresh and breathtakingly original, his fabulous fabulist’s palette uniquely his. Jeunet films have the urgency and half-remembered quality of dreams as they unfold. These tales exist in a rarefied and occasionally twee universe, timeless and with a winsome sense of fun and tricked-out grown-up child’s play even when the underlying subject matter gets serious. The subject at hand is war, and let’s just state the obvious up front – Jeunet’s against it.
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Surrogates (2009) -vs- Gamer (2009)

June 28, 2010 Rodney Twelftree 0

Would humanity be better off if we all plugged into an artificial reality where our dreams, nightmares and fantasies can come true? In a strange way, both “Surrogates” and “Gamer” attempt to explore that question. With vague flashes of “Minority Report,” “The Matrix” and “I, Robot,” “Surrogates” plugs us into a bizarre world lived through robotic versions of ourselves, while “Gamer” answers the new-age-old question of what life would be like if we could live inside a video game vicariously, through actual people. Both films question our belief that fantasy would be better than reality, but which one does it more successfully?
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Toy Story 3 (2010) -vs- Toy Story 2 (1999)

June 18, 2010 Sherry Coben 10

Daring escapes and rescues are the linchpin of the series; the boundless imagination of children inspires the animators and screenwriters to expand the possibilities of play. The organic extension of pretend and our willingness to suspend any disbelief provide endless delights. As a child, I believed my toys shared a completely full and separate life that occurred in my absence or during my sleep. Perhaps the film’s true magic lies not in suspending disbelief but rather in the extending that simple and universal childhood belief that our toys are alive, that the toys we call our own love us back.
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The Boondock Saints II: All Saints Day (2009) -vs- The Boondock Saints (1999)

June 17, 2010 Rodney Twelftree 0

“All Saints Day” is a complete miasma, a disaster of film-making that will surely spell the end of Troy Duffy’s career, which was pretty much over prior to making the second film anyway. Instead of trying to take the MacManus brothers in a new direction, Duffy has rehashed the original film (even finding new ‘characters’ that can replace the old versions and hoping nobody will notice! Duh!) to the point where everything in “All Saints Day” is irrelevant.
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