News Ticker

Let’s At Least Agree on Truth and Justice…

May 2, 2011 Bryce Zabel 1

UPDATE (5/3/11): In one of the most spectacular examples of bad timing imaginable, Superman has renounced his America citizenship when the world’s attention is focused on the United States military’s success in taking out Osama bin Laden. Nobody at DC Comics can be happy about this. But in this post, done the day before Osama’s death, we questioned whether they had the tone right on their decision in the first place, even if they felt it was the inevitable evolution of their character.

Like a lot of people, I was taken by surprise hearing the news that Superman has renounced his American citizenship. Honestly, this felt more striking than even the news in the early ’90s that D.C. Comics planned to “kill” him. Of course, in the comic book universe death is not forever while this new “citizen of the world” orientation probably is.

In short: In Action Comics #900, Superman tries to intervene in Iranian protests but gets perceived as a tool of the United States. He gets peeved and announces he will go to the United Nations and renounce his citizenship. Aside from the obvious inflammatory nature of this to some people (most of whom do not read Superman anyway), I can’t get the image out of my head of Superman talking to the U.N. in that dreadful fourth installment of the Christopher Reeve film series, Superman IV: The Quest for Peace. […]

Superman -vs- The American Way?

May 1, 2011 The FilmGuru 3

For years, Superman has been heralded as the champion of “truth, justice, and the American way.” But the editorial staff at DC Comics has dared to challenge this ideal by creating a controversy of global proportions. What does it mean for the U.S. if Superman is no longer American?

This week, Superman made news headlines by declaring that he intends to go before the United Nations and renounce his American citizenship. In “The Incident,” a story featured in the 900th issue of Action Comics, Superman is questioned by the U.S. national security advisor regarding the hero’s recent appearance in Iran.

What happened was this: Superman heard about protests in Tehran against Ahmadinejad’s administration. Knowing that past protests had led to violence and protest leaders being arrested, he decided to make sure things didn’t get out of hand. He landed at the protest and stood — neither moving nor speaking — for 24 hours. Then he left.

Considering the already tense state of affairs between the U.S. and Iran — not to mention the situation in countries like Egypt, Libya, and Syria — it’s no surprise that Superman’s simple appearance at a protest could spark concern from both governments. To Iran, this must have looked like America holding a nuclear bomb over their heads.
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Fast Five (2011) -vs- The Fast and the Furious (2001)

April 30, 2011 Mark Sanchez 4

More than a few film franchises seem like a trip to the drive-up burger joints: the payoff is predictable, not always very nourishing, but the experience can be fun, and you won’t leave hungry.

That recipe worked perfectly for The Fast and the Furious in 2001. The film didn’t promise steak, just a lot of sizzle, which clearly satisfied a broad segment of moviegoers. This motorized morality play (of a sort) mixes brooding, inarticulate characters tied to a supremely implausible story sprinkled with lots of attractive women and fast cars.

This menu spawned a series of films that grossed nearly a billion dollars worldwide. So, of course, Fast Five just opened. It expects to do large business because it does not stray far from the basic formula. […]

African Cats (2011) -vs- Oceans (2010)

April 24, 2011 The FilmGuru 0

If Disney has learned anything over the years, it’s that lions are kings at the box office. So the House of Mouse has gone back to Africa this year to bring us a new documentary about the king of the beasts. But from a different point of view. Don’t expect to see any singing warthogs or meerkats. This is a true story of life on the Savannah.

A few years ago, The Walt Disney Company established a new film label called Disneynature — with a mission to distribute nature documentaries like the old “True-Life Adventures” back in the 1950s. In a stroke of marketing genius, they tied the film releases to coincide with Earth Day. The first, appropriately titled Earth, came out in 2009. The next year, they released Oceans. These films looked at our planet in a new way, and they examined our influence on our environment.

It has become a tradition with my family to celebrate Earth Day each year with an outing to the theater to see the latest Disneynature release. This year, we continued with African Cats, a film that examines the lives of the lions and cheetahs of the Kenyan wilderness. […]

The Conspirator (2011) -vs- JFK (1991)

April 23, 2011 Bryce Zabel 1

Two presidents get assassinated, a hundred years apart. Both assassins (alleged, anyway) get killed before they can face trial, and they go down in history firmly attached to their middle names, John Wilkes Booth and Lee Harvey Oswald.

In these two films, the main characters are lawyers, drawn into the fray by a sense of justice, who end up arguing unpopular positions (at least to the powers-that-be) in court — the earlier film on offense, this latest film on defense. Both men pursue their out-of-step sense of justice to the extreme, so much so that the women in their lives think they’ve gone quite insane.

At the end of the day, both viewing experiences cause you to consider that maybe it’s not the courts that really decide the winners anyway, maybe it’s just the movies we make about them. […]

Source Code (2011) -vs- Deja Vu (2006)

April 10, 2011 The FilmGuru 3

They say love overcomes all obstacles, but time seems to be one of the most difficult. Time and time travel seem made for romance. Maybe that’s because there is a more of a fantasy quality to it than strict science fiction. Finding two lovers who meet across time has been done before, but Hollywood loves to revisit this idea again and again.

This week, our challenger, Source Code, and our champion, Deja Vu, tackle the problem of finding love in the time continuum. In both cases, what starts out as a case of time-travel observation becomes something more of an obsession for the observer. […]

From the Editor’s Desk

March 27, 2011 The FilmGuru 0

When Bryce asked me to come aboard the Movie Smackdown! juggernaut, my first thought was: “Will there be free popcorn?” Because, let’s face it, being a managing editor of a website requires a lot of […]

From the Editor-in-Chief

March 27, 2011 Bryce Zabel 1

Welcome to Movie Smackdown! 2.0, a film review concept that sees film reviewing as a competitive sport and exists to create moments of film-on-film violence!

The concept — 2 Movies. 1 Review. No Mercy. — is the same as it’s been since we began six years ago, based on the fact that most people like to talk about and rate films in terms of the other similar films they’ve seen before. We usually put a new film coming out in theaters in the ring with an older film that’s available on DVD or download.

That part hasn’t changed but the execution has evolved. First, we have a new look — more of a site and less of a blog.

Second, while you will still hear the opinions of our multiple reviewers as we have in the past, we’re also putting you in the center of the ring where you can make the call. […]

True Grit (2010) -vs- True Grit (1969)

December 27, 2010 Mark Sanchez 9

Apparently, if you need to track down a bad guy in the wild west, your absolute best shot at doing it is to hire a misogynistic one-eyed alcoholic. Whether you watch the old or the new True Grit, that much seems clear.

I’ll admit that something uneasy crept into my life upon learning Rooster Cogburn would live again in a remake of this 1969 crowd pleaser. Drawing from core material about murder and revenge, the film version gave us a smart, spunky girl who recruits John Wayne to the rescue. It won the Duke the Best Actor Oscar (as much for career recognition as his performance). It remains a pleasure to watch. Doesn’t need re-making, right?

Two words. Coen Brothers. Two more words. Jeff Bridges.

The vivid characters and language in the novel written by Charles Portis seem tailor-made for the Coen’s quirky sensibilities. The truth is that this film would never have been re-made except for their passion to do it. And now that they have, honestly, this one is a shoot-out for the ages. […]

Hereafter (2010) -vs- The Sixth Sense (1999)

October 23, 2010 Mark Sanchez 3

I don’t think about dying as often as, say, Woody Allen, but I think about it often enough. Mostly I think I am not in favor of it. On the other hand, considering the differences of opinion about what happens after this part of life is over, maybe the Big Black Void would be okay.

Our two films both have considerably different takes on the afterlife. To say the least. But, like all films in this genre, it’s not what they’re saying about what comes next that’s the big deal, it’s what they’re saying about the here and now.

Clint Eastwood’s new movie, Hereafter, ventures through that thin membrane separating the living from the dead. Director M. Night Shyamalan staked out a notable career in this territory, most notably with 1999’s well regarded The Sixth Sense. That’s our Smackdown: If dead people can communicate with us, what are they saying about these movies? […]

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