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Resident Evil: Afterlife (2011) -vs- Resident Evil (2002)

May 18, 2011 Rodney Twelftree 0

Guns, girls and zombies. Everything a film fan could want, comes together in the film saga based on the hugely popular video game, Resident Evil.

True, films based on computer games don’t have a prestigious history. For every good adaptation, there are a dozen bad ones. But in 2002, one such adaptation hit the big screen that set the bar for horror / action.

In this Smack, we’re putting on our lab coats, stirring up some carnage and introducing the Smackring to the zombie hordes of Raccoon City! Get ready to score an extra life, take your T-virus vaccination, and have that sharpened axe ready, as we set Resident Evil: Afterlife upon Resident Evil. Either way, with Milla Jovovich in both films, we win. […]

Summer of Smackdown: Wizards, Warriors & Pirates

May 15, 2011 The FilmGuru 0

The “Summer of Smackdown” continues! Last week we took a look at the superhero movies vying to be this summer’s big blockbuster. Forget about beefy gods in capes or super soldiers slinging shields. We’re moving from the land of comic books to the realm of full-on fantasy & adventure.

For me, this is what summer is all about. I love a good blockbuster adventure, be it of the Indiana Jones or Flash Gordon variety. A good action-adventure film can transport us to new worlds, different times, and show us unimaginable things made real.

Unfortunately, Hollywood has recently begun transferring films in this genre to 3D in post-production, creating a cheesy effect at greater expense to the viewer. Each of these films has been given the 3D treatment, but only Pirates was filmed in 3D. […]

Priest (2011) -vs- The Book of Eli (2010)

May 15, 2011 Mark Sanchez 2

A Western is a Western, even if there are no trusty horses, Native Americans, brave pioneers, land barons or cowboy hats (or even cowboys).

These days we regularly construct our western mythology out of the apocalypse, looking to the dismal future and not the hardscrabble past.

Both our combatants today share a common set up: Catastrophe strikes. Society falls apart. The fight begins for the remaining pieces. This formula usually includes A Brooding Outsider and Someone in Distress. When you add monsters / mutants you have the rough outline of recent popular movies like I Am Legend, The Road, even The Road Warrior from 1982. The list is longer, but you see where I’m going.

What we have now is the hybrid genre of the Apoca-Western. This sturdy form is identifiable with or without those horses and a strong silent hero because it still showcases the sense of honor, justice and redemption that motivated John Wayne as the Ringo Kid in Stagecoach (1939) and Clint Eastwood’s Bill Munny in The Unforgiven (1992). Those characters could just as easily lived in the world of the Undead as the actual living.

While there are no OK Corrals in The Priest or the Book of Eli, good still stands up to evil in every incarnation. Let’s see how they stand up to each other. […]

Bridesmaids (2011) -vs- The Hangover (2009)

May 14, 2011 The FilmGuru 5

The world is probably a better place knowing that women can be just as depraved, insecure, crass, pathetic, disgusting and insanely funny as men. After all, fair is fair.

Our Battle of the Sexes Grand-Slam Comedy Smack pits women against men in a dual of the demos. The Bridesmaids versus The Wolf Pack.

After spending over $32-million to make Bridesmaids, Universal Pictures followed up with an expensive nationwide spin-job selling their new movie as a bachelorette party version of The Hangover.

What made that original 2009 film a surprise R-rated hit was bringing the Wolf Pack to life in a story that shattered the formula of a raunchy guy’s film and took it to a new level where roofies were just another plot device. The question that Bridesmaids raises is pretty basic: can the same dynamic — bad decisions, outrageous behavior and same-sex bonding — work in a film about some girls who just wanna have fun, too? And, even if it can work, can that film actually be a better one that The Hangover? […]

The Beaver (2011) -vs- Lars and the Real Girl (2007)

May 10, 2011 Bob Nowotny 8

Step aside Wilson and Harvey — here come Bianca and the Beaver in a couple of remarkable movies that feature inanimate creatures as key co-stars. Bianca and the Beaver — there’s probably a good joke or two there somewhere, but, surprisingly, these films are not comedies.

Both The Beaver and Lars and the Real Girl are each based on a highly regarded, original screenplay — the first was Oscar nominated, the most recent one once famously topped Hollywood’s “Black List” for best unproduced script. And neither movie relies on CGI — now that is remarkable.

Both films explore the complexity of extreme personal demons brought on by feelings of loneliness, isolation and depression. Each one has also been accused of being over-the-top: their lead characters certainly have the potential to come across not so much compelling as uncomfortable. And there is the Mel Gibson-factor.

So it’s a testament to the screenwriters, the directors and the actors that both motion pictures are also solid dramas with heart and soul. They are character-studies of two men seeking to re-discover themselves, their families and the outside world. […]

Something Borrowed (2011) -vs- He’s Just Not That Into You (2009)

May 8, 2011 Mark Sanchez 2

Given that most single guys would be thrilled to have Ginnifer Goodwin as their girlfriend, you have to wonder why Hollywood keeps casting her as the woman who has a hard time finding a decent relationship. She got famous as the immature “sister-wife” Margene in the creepy HBO polygamy series, Big Love. Then she played the girl who can’t find love no matter how desperately she dates around in 2009’s He’s Just Not That Into You. And now she’s back in Something Borrowed as the third corner in a romantic triangle. I have no idea what her personal life is like but we can only hope it’s better than the parts she plays.

Both our films are ensemble rom-coms, chock-full of familiar character traits: earnest, self-absorbed, scoundrel, ironic, clueless, and so on. Some of these are main characters and some are the obligatory wacky friends. There are enough people running around in both films coupling and uncoupling that there seems to be a lot going on even when there isn’t. The idea is to cut from one storyline to another, keep the pace up, get some laughs, find some sympathetic moments, get a few more laughs, and tie up things more or less neatly before they run the credits. Everybody seems to have jobs that don’t really interfere with their pursuit of love and sex. Ah, paradise… […]

Jackie Cooper: Best. Perry. White. Ever.

May 5, 2011 The FilmGuru 3

“Don’t call me Chief!”

This week, the Daily Planet has lost its editor-in-chief. We at the Smackdown mourn the loss of Jackie Cooper.

Cooper, a child-actor in the Depression era and later a TV executive and producer, died this week at the age of 88. And though he had a score of acting credits, his name evokes just one image for me: Perry White, the editor-in-chief of the Daily Planet.

In all four of the Christopher Reeve Superman films, Cooper played Clark Kent’s boss at Metropolis’ number one newspaper. And though Perry White is most known for his signature catch phrase “Don’t call me Chief!” (most always aimed at poor Jimmy Olsen), he didn’t utter those words in Superman: The Movie. Instead, a mix-up with the morning coffee and the sugar gave us the humorous line “Don’t call me ‘sugar’!” instead. […]

Summer of Smackdown: The Superheroes

May 4, 2011 The FilmGuru 3

The “Summer of Smackdown!” has officially begun. With the release of Thor over the weekend, the battle for blockbuster superiority is now in full swing. Thor dropped the hammer on the competition, taking in over $66M in its opening weekend in the U.S. — this after grossing more than $100M worldwide since its international release.

Now that Thor has started things of with a thunder crash, let’s a take a look at what other movies are in the running to shake the heavens this summer.

First off, it’s no secret that this is the summer of superheroes. An unprecedented number of comic book adaptations are coming to the big screen this summer, and four of them are superhero favorites. […]

Thor (2011) -vs- Superman II: The Richard Donner Cut (1980 | 2006)

May 4, 2011 Rodney Twelftree 9

Down here in Australia, we actually got Thor in our theaters a full two weeks before the God of Thunder finally visited the United States. Along with our Aussie pride that the title character is played by local lad Chris Hemsworth, that still doesn’t quite equal what our American friends may be feeling over the success of Seal Team Six, but we take our thrills where we find them.

Comic book heroes coming to blows is a concept as old as the medium itself, but this Smackdown pits entire universes against each other. Thor versus Superman. Marvel versus DC. Yes!

The extraterrestrial Superman is the most recognizable comic book character ever created and Thor, the mythically awesome Stan Lee-created Asgardian God who comes to Earth, are the powerhouse figures of their respective comic book universes. DC Comics has published Superman since 1939, while Thor has been around since Marvel introduced him in 1962. Both have incredible powers. Superman derives his incredible strength and abilities from his proximity to Earth’s yellow sun, while Thor’s powers come from his family lineage as a Norse God (who may be an extraterrestrial himself) — the God of Thunder, to be exact. […]

Lois & Clark: The (Old) New Adventures of Superman

May 3, 2011 Bryce Zabel 3

I have so many great memories about the Man-of-Steel, it’s hard to know where to start. Like… being a six year old buying a Superman comic from a magazine rack in a drug store… Running home to watch George Reeves in a syndicated re-run of the first TV series… Standing in line for hours to watch Superman: The Movie starring Christopher Reeve.

Nothing compares, though, with working on that first season of Lois & Clark: The New Adventures of Superman. It ranks as one of the greatest creative satisfactions I’ve had in the series TV business.

I had first worked with Deborah Joy LeVine (she received the WGA “Developed By” credit) on an ABC law series called Equal Justice. A gifted writer, she had written an exceptional pilot that ABC had picked up and, at the same time, ordered a half-dozen back-up scripts. So before film was even being shot, Deborah Joy, her brother Dan and I were throwing “super” ideas around every day in a little trailer on the Warner Brothers lot. […]

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