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One Day (2011) -vs- Same Time, Next Year (1978)

August 17, 2011 Eric Volkman 9

Warning: this Smackdown is not your typical 15-rounder, with a decision coming after only a few hours of fighting. No, this stretches far, far longer… several decades, in fact. That’s because both our contenders span over 20 years in the lives of their central couples. Two long-term relationships outside marriage, each lasting a day at a time, annually, over the decades. Both survive personal shakeups and societal upheaval, but only one can survive this Smackdown. […]

30 Minutes or Less (2011) -vs- Nick of Time (1995)

August 13, 2011 Ben Silverio 0

Everyone knows, when you want something done right, you hire some unsuspecting schmuck to do it for you. Wait, that’s not how it goes. The bad guys in these two films are doing it all wrong, which is why this Smackdown includes, among other things, a competition for the title of undisputed laziest criminal in movie history. In one corner we have Dwayne, played by Danny McBride in the new comedy 30 Minutes or Less. In the other corner, Mr. Smith — no not that Mr. Smith; the one played by Christopher Walken in the 1995 thriller Nick of Time. These villains don’t want to get their hands dirty, so each one scopes out his surroundings and picks out someone randomly to act on his behalf. […]

Rise of the Planet of the Apes (2011) -vs- I, Robot (2004)

August 5, 2011 Bryce Zabel 4

Maybe humanity won’t be #1 on Earth forever…

We’ve been used to being at the top of the heap pretty much since we picked up some stones and started making tools. But what’s going to happen if another species — real (like apes) or artificial (like robots) — gets the same idea? Fortunately, we have a couple of cautionary tales to consider that should give us pause before we get too cavalier.

Rise of the Planet of the Apes is the prequel to the re-boot of the ’60s-’70s franchise that started it all and sets out to answer the question that has always undermined the franchise: how would apes really pull this switcheroo with humankind off? With genomes being mapped and wonder drugs being tested at record speed these days, this is a film that was just begging to be made.

Back in the mid ’00s, however, I, Robot asked a different kind of question. Sparked by the breathtaking increase in computing power keeping pace with Moore’s Law or even Ray Kurzweil’s invocation of The Singularity, that question was: how much longer before these machines we built can think faster than us and what if they become conscious? […]

The Change-Up (2011) -vs- Freaky Friday (2003)

August 5, 2011 Arthur Tiersky 1

Everybody’s favorite high-concept film is back! The exclusive club for such cinematic touchstones as Vice Versa, 18 Again!, and Like Father, Like Son has a new member.

Is the notion of two likable 30-something guys who really aren’t that different switching bodies as lame as it sounds, or does the movie itself pull the ol’ switcheroo and actually work? Is the R-rated The Change-Up worthy of this respected family of films — most of which, in fact, are family films? […]

Glee: The 3D Concert Movie (2011) -vs- Hanna Montana & Miley Cyrus: Best of Both Worlds Concert (2008)

August 5, 2011 Robin Estrin 2

In Hollywood, America’s most beloved shark tank, nothing is more important than staying relevant. Singers can’t just sing; actors can’t just act. You’ve got to quickly become some sort of triple-threat, world-sensation or watch Hollywood unleash the sharks, which will do to you what they did to Aaron Carter (remember him?) or the Jonas Brothers (who?) as soon as their record sales started to fade. You know what they say: What goes up must come down, and all that matters is how entertaining the crash will be. […]

Exporting Raymond (2011) -vs- Looking for Comedy in the Muslim World (2005)

August 1, 2011 Arthur Tiersky 4

Two very funny men – the co-creator/show-runner of one of the best sitcoms of the last two decades, and the writer/director/star of some of the best movie comedies of the previous two decades – are sent to seemingly unfunny countries on the other side of the globe, both in hopes that their humor is universal enough to withstand translation and jump cultural boundaries, and both in for a series of surprises, disappointments, and comic adventures.

Phil Rosenthal’s documentary Exporting Raymond, a wise-ass chronicle of his consulting gig on the Russian version of his iconic, long-running show “Everybody Loves Raymond,” is now out on video (as of Aug. 2) after a brief theatrical run. Is it the exercise in whiny narcissism it probably sounds like? And more to the point, does it cover the same sort of gefilte-fish-out-of-water territory that Albert Brooks covered in his (fictional) Looking for Comedy in the Muslim World (2005)? Is this deja vu all over again?

Grab a bowl of borscht and a dish of saag paneer, and sit back and enjoy an international Smackdown about the wonderful universality of comedy. Or lack thereof. […]

Cowboys & Aliens (2011) -vs- Indiana Jones and the Kingdom of the Crystal Skull (2008)

July 31, 2011 Bob Nowotny 9

It’s the Harrison Comparison – two big-budget, high-energy, studio-produced, action adventure yarns starring a Ford with enough miles on him to qualify not only for Triple-A, but AARP as well. I don’t know about you, but I love being taken for a ride (unless it involves a Mexican cartel), and this summer the silver screen is besotted with a plethora of eye-popping, CGI-infested mega-movies starring comic book heroes and video icons. But only one has its roots firmly planted in the wild, wild West – the two-genres-in-a-blender contender, Cowboys & Aliens.

And who better than Mr. Harrison Ford to lead the way? After all, with the Indiana Jones franchise, Ford has proven himself over and over again to be America’s reigning cinema swashbuckler. The fourth and most recent edition of that series, Indiana Jones and the Kingdom of the Crystal Skull, serves as our Champion for the purpose of this Smackdown by virtue of its own alien storyline..

Two Harrison Ford genre-mashing period pieces, bothvfeaturing an other-worldly presence. They say the hat makes the man, so which one of Ford’s fedoras will prevail in this head-to-head duel? The 10-gallon Stetson? Or the wool felt homburg? […]

The Smurfs (2011) -vs- The Muppet Movie (1979)

July 31, 2011 R.L. Naquin 4

Bizarre cameos, nostalgic characters, and jokes aimed at adults, all thrown into Kiddieland — the Muppets franchise has built its success on this format. Can The Smurfs compete in the ring, or are they riding entirely on warm, fuzzy memories of the ‘80s?

Most movies for kids are either cutesy fluff or rapid chains of sight gags and butt jokes. A nod and a wink alluding to some adult, inside joke might get thrown in to keep the grownups from getting restless. In Madagascar, for example, a lemur runs around in a panic yelling “It’s a cookbook!” referring to an old Twilight Zone episode. That one was for Mom and Dad, since few 5-year olds are well-versed in old sci-fi classics. I laughed like a maniac. My kids were unmoved.

On the other hand, there are movies intended for adults and kids to share together. The shorties are entertained, but the adults are rewarded with surprise cameos, grownup quips, and best of all, a healthy dose of nostalgia. […]

Walton Goggins Talks Smack

July 30, 2011 Eric Estrin 1

It’s been a big summer for Walton Goggins. Aside from hitting the big screen this weekend with a memorable role in Cowboys & Aliens, the thoughtful, literate Southerner with the deep-set green eyes and electro-shock haircut picked up his first Emmy nomination for supporting actor on television’s Justified, after not getting similarly deserved recognition in seven years on The Shield. In addition, he filmed a part in the independent drama Officer Down, has been promoting his work in Rod Lurie’s Straw Dogs remake which is due in theaters Sept. 16, and has begun filming on Lincoln, the Steven Spielberg-directed biopic in which he has a key supporting role.

Movie Smackdown! editor Eric Estrin caught up with Goggins recently in the actor’s Hollywood home and asked about the experience of filming an old-fashioned Western mashed up with an edgy, extra-terrestrial thriller.* […]

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