Oscar Week at the Smack
Members of the Academy of Motion Picture Arts & Sciences have their way of picking movie winners; we have ours. We’re not gonna say Movie Smackdown’s way is necessarily better than its Oscar competition, although […]
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This Means War -vs- How Do You Know
Seriously, why do studios think that men are standing in line to fight over Reese Witherspoon’s affections? Do the greenlights come from male executives who have a thing for Reese, or do they come from […]
The Secret World of Arrietty (2010) -vs- The Borrowers (1997)
The Smackdown Prior to Harry Potter, Mary Norton’s cherished, 1952 novel The Borrowers was a prime example of a children’s book that had as much to say between the lines as in them. For those […]
Albert Nobbs: A Cross-Dressing Downton Abbey
The film Albert Nobbs — a cross-dressing version of Downton Abbey — features Glenn Close dressed as a man the entire movie. She plays the title character, a 19th-century Dublin woman who passes as a man so she can work as a waiter. I’ll bet confused waiters all over the world are racing off to check the movie listings even as we speak.
The look is so bizarre that my daughter who attended the screening with me expressed her fear after the film that she’s going to have nightmares about the character. But the voting members of the film Academy gave Close an Oscar nomination. . […]
Whitney -vs- Whitney: The Match-Up No One Wanted to See
That life is over. We all know the reasons, even as we await an autopsy report. Does it matter what they will find? The scourge of modern life, addiction, turned her away from her calling and purpose and took her life. For this conflict, there was no bodyguard to protect her. There should have been, of course, but on this struggle, friends and family can only do so much. The news coverage over the next week will shine some light on this. […]
Journey 2: The Mysterious Island (2012) -vs- Journey to the Center of the Earth (2008)
You have to hand it to French science fiction writer Jules Verne. More than a century after his death, he not only continues to be a best-selling author, his books still provide ripe material for movie adaptations. 2008’s Journey to the Center of the Earth was a more or less straightforward adaptation of Verne’s adventure story aimed at kids, and while its similarly targeted sequel, Journey 2: The Mysterious Island, drifts a little from its origins, much of Verne’s content is used in the movie. Essentially, both are old-fashioned, earnest, quest movies spiced up a bit with contemporary references for the target audience, with 3D added to give the kids some funky eye candy. […]
The Vow (2012) -vs- 50 First Dates (2004)
Artistic women with memory loss and the men who love them — that’s the premise of both The Vow, out this weekend with Rachel McAdams and Channing Tatum in the lead roles, and 50 First Dates (2004), starring Drew Barrymore and Adam Sandler. These films play against the standard boy-girl movie cliché, in that it’s the guys who know they’ve found their true romantic matches, and the women who, after seemingly falling in love, treat them like they’ve never seen them before. Of course, there’s a reason for that, and it has to do, in both cases, with brain trauma. Love may conquer all, but only if you can remember you’re in love. […]
The Way We See it: Joe Rassulo on the Oscars
The Artist is this year’s most talked about and most overrated film. Yes, it’s charming and filled with lovely, touching performances and indelible moments of black and white reveries of movies and times past. It is a wonderful homage to an era long gone. Its obvious relevance to today is its theme of technology leaving many obsolete in its wake. There’s a familiar resonance to the despair many feel in today’s technological storm, which has left so many jobless and even homeless. But the film touches on that theme in a broad, superficial way. “Modern Times†it is not. It’s a singular, gimmicky, almost-silent film that works on every level except one of true substance. And, I believe, a best picture of the year should do more than charm. […]
Rampart (2011) -vs- Training Day (2001)
Our contenders here are hardened Los Angeles cops who come to the ring after years of battling gang-bangers, crooked politicians and their own evil instincts. Both these films were inspired by the LAPD’s troubled Rampart division which, during the late 1990s pretty much set the bar for police misconduct, and also inspired the classic cable hit, The Shield. So naturally, the squads in this fight are street-tough, hard-cases who should be difficult to knock down for a win. Always eager for a scuffle, they’re hyperventilating in their corners, ready for a blast of Smackdown violence. So let’s throw them at each other right away. Rrriiiiiiing! […]
Chronicle (2012) -vs- Kick-Ass (2010)
Ah, teenagers. Aren’t they charming? We don’t think so. We’ve got a surly bunch of ’em in this Smackdown, and rather than have them bother us hard-working adults, we’ll just let them whine and snap at each other or simply sulk in a corner by themselves. The main character in sci-fi drama Chronicle is a troubled loner dealing with a messed-up family life and a general inability to relate to other kids his age. […]