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Source Code (2011) -vs- Deja Vu (2006)

April 10, 2011 The FilmGuru 3

They say love overcomes all obstacles, but time seems to be one of the most difficult. Time and time travel seem made for romance. Maybe that’s because there is a more of a fantasy quality to it than strict science fiction. Finding two lovers who meet across time has been done before, but Hollywood loves to revisit this idea again and again.

This week, our challenger, Source Code, and our champion, Deja Vu, tackle the problem of finding love in the time continuum. In both cases, what starts out as a case of time-travel observation becomes something more of an obsession for the observer. […]

Lost (2010) -vs- Lost (2004-2010)

May 24, 2010 Beau DeMayo 1

So, “Lost” has ended.  It’s over. After six years, viewers got their closure with “Lost”, a television series that became a pop culture phenomenon like no other and shook the foundations of how TV is […]

Avatar (2009) -vs- Star Trek (2009)

January 13, 2010 Rodney Twelftree 3

The Smackdown There’s nothing more exciting than a throw down between two cinematic juggernauts: in this instance, two of the most critically acclaimed (and financially successful) films of the last year. One, a revisionist look […]

Avatar (2009) -vs- Dances with Wolves (1990)

December 21, 2009 Beau DeMayo 26

Allegorical movies are tough. On one hand, the social messages are essential to keeping cinema relevant and meaningful. Yet I always grow wary of a movie made for the sake of a message and not for the sake of entertaining audiences. The best way to judge that may be to measure Avatar against another film that it shares some themes with: Dances with Wolves.

Both films, for example, discuss imperialism against the epic backdrop of human emotion and struggle — only one does it here on Earth, the other on a faraway planet. But what about the entertainment value? The story? The characters? Which film goes the farthest beyond preaching and instead involves its audiences in the big question: What would it take for me to go up against my own kind? […]

The Twilight Saga: New Moon (2009) -vs- Twilight (2008)

November 25, 2009 Rodney Twelftree 9

In the battle of the varied mythological creations, Vampires have for centuries captured the imagination of people around the world. Novels, films, theatrical productions and poorly-decorated costume shops have enjoyed success based upon their existence, proven or not. Likewise the Werewolf, natural enemy of the Vampire, whose moonlit howl still sends a tremor down the back of even the most hardened myth-lover. Bringing these two epic creatures together in one film franchise has most of the female population of our planet all in a tizz. Why? Are the men they encounter in the real world really that bad?
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Where The Wild Things Are (2009) -vs- The Wizard of Oz (1939)

October 18, 2009 Sherry Coben 6

Both films adapt difficult and brilliant works of children’s literature and manage to exceed any expectations, evoking and exploring themes only hinted at in the original texts. Both films achieve a technical excellence and rare beauty that thrills and ignites our passion for storytelling on the silver screen. Both films accurately capture the complicated and often overlooked dark sides of childhood; adults see what they want to see and recall what they want to recall. Children can seem to them simplified little people, easy to control. Children feel their feelings deeply and powerfully though; the less they are seen, the more powerfully they ache to be seen clearly. Attention deficit is the usual diagnosis when children misbehave; children want to be seen and heard and attended.
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The SuperMerger! Disney -vs- Marvel!

September 29, 2009 Stephen Bell 4

 A Smackdown so big  it takes two Smackrefs  to write it!    Written by Beau DeMayo and Stephen Bell The Smackdown. Disney owns Marvel (or soon will)!  Once complete, this means that Disney, responsible for […]

Iron Man (2008) -vs- Batman Begins (2005)

June 17, 2008 Beau DeMayo 6

The Smackdown It’s been a dark time for comic book movies since Christopher Nolan’s “Batman Begins” and Bryan Singer’s “Superman Returns.”  Over the past two years, “Fantastic Four: Rise of the Silver Surfer,” “X-Men: The […]

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