When tragedy strikes, what’s a mild-mannered suburban parent to do to support the family but dive headfirst into the illegal drug business? That’s the question posed by two controversial and critically lauded TV series, Showtime’s long-running, half-serious comedy Weeds, and AMC’s hour-long, half-funny drama Breaking Bad, whose legion of fans currently awaits its fifth and presumably final season. […]
President Snow (Donald Sutherland) shares his philosophy in this weekend’s blockbuster film, The Hunger Games, “The only thing stronger than fear is hope.†He and his kind have built their dystopia on this theory: if the people they subjugate don’t have a way to cope, they could get violent. Better to give them some pre-packaged violence and distract them.
The odds are stacked heavily against both Katniss Everdeen of The Hunger Games and Ben Richards of The Running Man to win in their own futuristic sporting arenas. But they are motivated to try, each having not just their own lives but the lives of the people they love at stake. While millions of people watch, they suffer and struggle to make it to the end. The only thing keeping them going is hope.
It seems harsh to subject these characters to another bloody arena, but as the films prove, audiences love a good fight. We can’t lie. So do we. […]
Every St. Patrick’s Day, people worldwide celebrate the Irish by wearing shamrocks, marching in parades, even drinking green beer. It can be a ton of fun, to be sure, but the Ireland of fairly recent history was a very serious place where political battles were decided in revolution and civil war. Our Irish Movie Smackdown pays tribute to those days by putting a couple of films in the ring together that tell the story. These two classic films of Irish-rebellion — The Wind That Shakes the Barley and Michael Collins — were made a decade apart. Back in the Clinton years, Liam Neeson starred in the title role as Irish rebel turned Free Stater, Michael Collins, and a few days before St. Patrick’s Day in 2007, Cillian Murphy played a rebel on the other side of the bloody Irish Civil War in The Wind That Shakes the Barley. They each tell stories about the years when Irish eyes were definitely not smiling… […]
Four years ago, John McCain named Sarah Palin, a self-proclaimed “hockey mom” as his Republican running mate and upended the 2008 election. He was looking for a game-changer to help him compete against the Democratic candidate Barack Obama. Now, the story of that move, and the blow-back from it all is a new HBO film, Game Change, from director Jay Roach who also helmed the HBO film about the tied 2000 election, Recount. […]
There’s just something about ragtag teams of extended families trying to get by after an apocalypse. It feels like a particularly American fantasy — that when the chips are down, we’ll all put aside our petty differences, realize what’s truly important and come together to kick some ass, whether it be Nazi or Commie or even alien or zombie. The point is that our melting pot really doesn’t get cooking until the heat is applied and the burner’s on high.
These two series are flagship action pieces for their respective networks — The Walking Dead came first on AMC, followed within a year by Falling Skies on TNT. The former has its second season finale this Sunday and the latter comes back this summer for its sophomore year. Both are in their prime when it comes to the life of any TV series — enough of a run to fix some early mistakes but not so much as to render the week-to-week predictable. […]
The need for a Smackdown between writer/director Alexander Payne’s earlier effort About Schimidt and his Oscar nominated The Descendants is so obvious that we just can’t let the final days before the Academy Awards go by without […]
The film Albert Nobbs — a cross-dressing version of Downton Abbey — features Glenn Close dressed as a man the entire movie. She plays the title character, a 19th-century Dublin woman who passes as a man so she can work as a waiter. I’ll bet confused waiters all over the world are racing off to check the movie listings even as we speak.
The look is so bizarre that my daughter who attended the screening with me expressed her fear after the film that she’s going to have nightmares about the character. But the voting members of the film Academy gave Close an Oscar nomination. . […]
Artistic women with memory loss and the men who love them — that’s the premise of both The Vow, out this weekend with Rachel McAdams and Channing Tatum in the lead roles, and 50 First Dates (2004), starring Drew Barrymore and Adam Sandler. These films play against the standard boy-girl movie cliché, in that it’s the guys who know they’ve found their true romantic matches, and the women who, after seemingly falling in love, treat them like they’ve never seen them before. Of course, there’s a reason for that, and it has to do, in both cases, with brain trauma. Love may conquer all, but only if you can remember you’re in love. […]
Ah, teenagers. Aren’t they charming? We don’t think so. We’ve got a surly bunch of ’em in this Smackdown, and rather than have them bother us hard-working adults, we’ll just let them whine and snap at each other or simply sulk in a corner by themselves. The main character in sci-fi drama Chronicle is a troubled loner dealing with a messed-up family life and a general inability to relate to other kids his age. […]
After sitting at home, wiping the tears off of my cheeks as a boy goes over and beyond to liberate a killer whale from its tank, and then sitting in a movie theater crying my eyes out over the giant rescue mission to save three whales from suffocating in the ice, I had to wonder why humans care so much about their seafaring brothers-in-mammaldom. Why was it so believable that these characters would go to such great lengths to protect some whales? And why did I use a whole box of tissues over it? Drew Barrymore’s character explains it this way in Big Miracle: “Even though they’re big and powerful, they’re so much like us. We’re vulnerable, and we get scared, and we need help sometimes too.†[…]
Copyright © 2025 | MH Magazine WordPress Theme by MH Themes