Remember the angry f***-word rant that Christian Bale went on a few years ago? How about little David, the kid coming home from the dentist, stoned out of his mind? We’ve never forgotten them. We’ve […]
Drugs are a dangerous game, and it seems like Oliver Stone knows this fairly well. In the 1983 cult classic Scarface, which he wrote for Brian De Palma, and his new release Savages, which he co-wrote with Shane Salerno and novelist Don Winslow, as well as directed, he shares stories of young guys who start small in the drug game and climb to a whole new level they’re not prepared for.
Iconic gangster Tony Montana and the duo of modern-day marijuana moguls Ben and Chon hold their own (to a point) when the big boys come to play in their respective movies, but how will they fare when they go up against each other? […]
Location, location, location. When it comes to dealing with broken families and the secrets that enshroud them, it makes no difference whether you live in La-La Land or blue Hawaii. Reconnecting with the family members you’ve ignored or the one you never knew existed is hard in either case, even if you’re Chris Pine. Yep, George Clooney, too.
While films centered around intense emotion and family dynamics are nothing new, they’re a rarity in these days of car chases, alien invasions and spandex-clad superheroes. Our contestants — People Like Us (2012) and The Descendants (2011) —are both about confronting those issues most of us would rather ignore. Both films are aimed at actual grown-ups — another rarity these days — and each looks at serious issues in distinctly different ways. […]
The horror, the horror. It’s Hannibal the Cannibal and Not-Yet-Agent Starling from the Oscar-sweeping Silence of the Lambs vs. Norman Bates and the Crane Sisters in the Hitchcock masterpiece that put the word Psycho into the pop vernacular.
In addition to their enduring popularity in film schools and on screens of all sizes, these two classics of high-end terror have an astonishing amount in common. One has creepy taxidermy, while the other has creepy butterflies. Both borrow elements from the crimes of real-life serial killer Ed Gein; both, based on popular novels, were departures of sorts for their directors; both feature female protagonists who become objects of judgmental and voyeuristic males. Both films deal with disturbing memories of a dead parent. Both set their climax in a killer’s cobwebbed basement. And both feature immortal villains played by actors named Anthony ___kins in unforgettable big-screen performances. […]
Did you know that the Civil War was not merely the North fighting the South over the slavery issue, but that the Confederacy was actually an uprising of vampires, of whom Abraham Lincoln was actually a trained hunter? Or that H.G. Wells, author of The Time Machine, actually invented his very own such machine that enabled him to fight crime a century into the future? Or that George W. Bush is actually the reincarnation of a traitor beheaded by King Joffrey of the House of Lannister? […]
With Father’s Day fast approaching, what better time to celebrate the firm, guiding hand of the man who once taught you how tie a Windsor knot, light a campfire and masturbate to pictures of your grandmother, leaving the used Kleenex for her to clean up? Or at least that’s what Sony Pictures apparently believes, as it unleashes the latest Adam Sandler offering on American filmgoers this weekend. […]
What evil website would even dream of pitting the sweetly heroic Snow White against herself in a winner-take-all fight? Movie Smackdown, of course!
The beloved fairy tale figure with the dark hair and pale face is the lead character in two big Hollywood releases this year, Snow White and the Huntsman, opening this weekend, and Mirror, Mirror, which premiered back in March. Although both feature the broad outlines of the original story – evil queen, wrongful imprisonment, dark forest, seven dwarves, etc. – the two movies vary greatly in tone and approach. Huntsman goes the dramatic, big-budget route with monster attacks and a castle siege. Mirror, Mirror is a light comedy featuring Julia Roberts as the not-so-scary villainess requiring constant reassurance from the eponymous prop that she’s the fairest of them all. […]
It’s the lucky ones among us who get the luxury of a “do over,†a chance to take the road less traveled. Poet Robert Frost isn’t the first person to actively wonder what lies on the other side of the life we’ve made. A pair of admired TV programs work that street of possibilities, although maybe not for long.
Let’s touch on the newer and more endangered series first. NBC announced Awake as a mid-season replacement for 2012. This is a cop show with a twist that marks it as a fresh entry in a tired, overplayed genre. Propelled by advance hosannas at the Critics’ Choice Television Awards, the series premiered on March 1 to more than six million viewers, but despite the healthy start, low ratings may put Awake to sleep before it gets a shot at Season 2. […]
Which is the fairest movie review site of them all? We at Movie Smackdown like to think it’s ours, and to further our conviction, we’re bringing you a contest between two modern live-action versions of classic fairy tales. Mirror Mirror is a light-hearted adaptation of the Snow White story, with Julia Roberts as the evil Queen making a concentrated attempt to keep the pretty Snow (Lily Collins) a virtual prisoner in her family’s castle. […]
Books and movies have often used bodies of water and the creatures that live in them as full, rich metaphors, evoking man’s struggle to find meaning amid life’s shifting tides (Alert: the first of many body-of-water metaphors!). The examples in high culture are endless: Moby Dick, The Secret of Roan Inish, SpongeBob SquarePants… Here are two movies that carry on the tradition: Salmon Fishing in the Yemen, a Lasse Hallstrom-helmed, Simon Beaufoy-penned romantic dramedy, has made a splash in the indie world by dramatizing the Sisyphean task of introducing salmon fishing to a desert country best known today as the headquarters of Al Qaeda in the Arab Peninsula. It’s opponent is A River Runs Through It, a lyrical film based on Norman McClean’s semi-autobiographical novel that follows the maturation of two brothers struggling to create individual and conflicting identities under the watchful eye of their minister father. Set in the wild and verdant glory of rural Montana, everything about it is as precious as your grandmother’s wedding rings. […]
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