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Inglourious Basterds (2009) -vs- Saving Private Ryan (1998)

January 23, 2010 Bryce Zabel 11

High-profile directors like Tarantino and Spielberg dearly love taking a shot at putting their own brand on a World War II movie, no doubt because of the lure of working with badass villains and ass-kicking good guys.

Both of these films re-defined the genre as it existed when they were released and were considered Oscar-worthy enough to get Best Picture nominations (although both fell short).

Here at the Smack, they’ve each won a first round against a lesser contender: Saving Private Ryan knocked out the intense but difficult The Thin Red Line in our review, and Inglourious Basterds did the same against Spike Lee’s mediocre Miracle at St. Ana. Both of the winners in this Championship Round come with their passionate defenders. You can express yourself in our reader poll embedded in our post. Meantime, here’s how I call the fight… […]

Extraordinary Measures (2010) -vs- Lorenzo’s Oil (1992)

January 21, 2010 Bryce Zabel 1

Both movies are all about overcoming the odds and a parent’s love that allows them to suffer anything to help their children. In “Extraordinary Measures,” this involves the Internet but “Lorenzo’s Oil” takes place in the world before all the answers were at your fingertips and, initially, it seems like a tougher problem. God knows it’s hard for an average guy to find venture capital and start a company but it’s not quite the level of problem as actually becoming a scientist and curing a disease. So, in set-up, “Lorenzo’s Oil” has more obstacles but it’s also way more daring with the characters. Although there are characters in “Extraordinary Measures” who aren’t saints (notably, the prickly scientist played by Ford), the parents sure are. “Lorenzo’s Oil,” in contrast, is daring enough to suggest that in this war to save a child that both parents become sort of, well, unlikeable because the stakes are too high to care about being nice. It’s a bold choice. Both films try to strike a balance in not stereotyping the medical establishment as unfeeling money-grubbers and to see them as scientists who are trying to solve a problem by being unbiased in their approach, something that a desperate parents can never really be.
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James Cameron -vs- Ex-Mrs. Cameron

January 16, 2010 Bryce Zabel 2

Friday night in the Critics' Choice Awards, James Cameron's "Avatar" lost out to Kathryn Bigelow's "The Hurt Locker" in the BEST PICTURE category. Bigelow used to be married to Cameron. Ouch. It got a little […]

Up In The Air (2009) -vs- It’s Complicated (2009)

December 30, 2009 Sherry Coben 7

Finally, it’s awards season again, when the really big guns take aim for our hearts, minds, and pocketbooks. Coming out swinging for the bleachers are two movies made for adults of a certain (middle) age, the demographic that lopes through the rest of the year nearly forgotten, begging for scraps at a table set for callow youth and action figures. George Clooney and Meryl Streep both navigate the rough and increasingly muddied waters of love and commitment, and it’s a thrill to watch them struggle.
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Nine (2009) -vs- Crazy Heart (2009)

December 30, 2009 Sherry Coben 4

The Smackdown Movies about show business multiply like rabbits, and here’s a simple explanation. Not only do writers write what they know — everyone in show business finds show business (and himself) endlessly fascinating. That’s why they’re there […]

The Young Victoria (2009) -vs- Sherlock Holmes (2009)

December 27, 2009 Sherry Coben 3

Calling all Anglophiles! England’s longest reigning monarch takes on the cleverest subject of her (fictional) realm in this All-Union-Jack Smackdown. Both repackaged and reimagined for the new millennium’s theatergoing audience — the usually buttoned-up Victoria gets unstuffed and sexed up in a lush period romance/political drama, and Sherlock gets the no-holds-barred no-punches-pulled Guy Ritchie/Joel Silver treatment. Both title characters make formidable contenders for the Smackdown crown; there’s nothing I appreciate more than a really good makeover.
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Beau’s Ten Best Films of the Past Ten Years

December 22, 2009 Beau DeMayo 5

The criteria I used is pretty simple: which films are not just good but really impacted the world of film? It’s relatively easy to make a film that entertains. And, in some ways, it’s even easier to make a film that does something “different” and “new.” But to make a film that both entertains and moves you, while advancing the art of filmmaking…that’s pretty hard. So let’s get this ball rolling as we reflect on a most eclectic period of film…
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Avatar (2009) -vs- Dances with Wolves (1990)

December 21, 2009 Beau DeMayo 26

Allegorical movies are tough. On one hand, the social messages are essential to keeping cinema relevant and meaningful. Yet I always grow wary of a movie made for the sake of a message and not for the sake of entertaining audiences. The best way to judge that may be to measure Avatar against another film that it shares some themes with: Dances with Wolves.

Both films, for example, discuss imperialism against the epic backdrop of human emotion and struggle — only one does it here on Earth, the other on a faraway planet. But what about the entertainment value? The story? The characters? Which film goes the farthest beyond preaching and instead involves its audiences in the big question: What would it take for me to go up against my own kind? […]

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