Drama Archives - Page 11 of 24 - Movie SmackdownÂ®

The (True) “True Story of Blackbeard”

May 18, 2011 Bryce Zabel 2

There’s just something about that name — Blackbeard — that Hollywood loves. It doesn’t matter what the real details are since nobody in the audience knows them anyway.

What’s important is that Blackbeard, whoever the hell he was, was definitely the biggest of the badass pirates in a world populated by badass pirates.

Even in those days, the early 1700s, hype always exceeded reality. Pirates were feared, but tavern gossip in coastal communities inflated their stories into mythic proportions. They may have been scurvy dudes with non-existent dental care and sexual diseases you don’t even want to know about — just like everyone else of the time — but they were more than that. They were celebrities with great names like Captain Kidd and Calico Jack. And they operated with impunity from the Caribbean to New York in a decades-long orgy of lawlessness. […]

The Beaver (2011) -vs- Lars and the Real Girl (2007)

May 10, 2011 Bob Nowotny 8

Step aside Wilson and Harvey â€” here come Bianca and the Beaver in a couple of remarkable movies that feature inanimate creatures as key co-stars. Bianca and the Beaver â€” thereâ€™s probably a good joke or two there somewhere, but, surprisingly, these films are not comedies.

Both The Beaver and Lars and the Real Girl are each based on a highly regarded, original screenplay â€” the first was Oscar nominated, the most recent one once famously topped Hollywoodâ€™s â€œBlack Listâ€ for best unproduced script. And neither movie relies on CGI â€” now that is remarkable.

Both films explore the complexity of extreme personal demons brought on by feelings of loneliness, isolation and depression. Each one has also been accused of being over-the-top: their lead characters certainly have the potential to come across not so much compelling as uncomfortable. And there is the Mel Gibson-factor.

So itâ€™s a testament to the screenwriters, the directors and the actors that both motion pictures are also solid dramas with heart and soul. They are character-studies of two men seeking to re-discover themselves, their families and the outside world. […]

The Conspirator (2011) -vs- JFK (1991)

April 23, 2011 Bryce Zabel 1

Two presidents get assassinated, a hundred years apart. Both assassins (alleged, anyway) get killed before they can face trial, and they go down in history firmly attached to their middle names, John Wilkes Booth and Lee Harvey Oswald.

In these two films, the main characters are lawyers, drawn into the fray by a sense of justice, who end up arguing unpopular positions (at least to the powers-that-be) in court â€” the earlier film on offense, this latest film on defense. Both men pursue their out-of-step sense of justice to the extreme, so much so that the women in their lives think theyâ€™ve gone quite insane.

At the end of the day, both viewing experiences cause you to consider that maybe itâ€™s not the courts that really decide the winners anyway, maybe itâ€™s just the movies we make about them. […]

Hereafter (2010) -vs- The Sixth Sense (1999)

October 23, 2010 Mark Sanchez 3

I don’t think about dying as often as, say, Woody Allen, but I think about it often enough. Mostly I think I am not in favor of it. On the other hand, considering the differences of opinion about what happens after this part of life is over, maybe the Big Black Void would be okay.

Our two films both have considerably different takes on the afterlife. To say the least. But, like all films in this genre, it’s not what they’re saying about what comes next that’s the big deal, it’s what they’re saying about the here and now.

Clint Eastwood’s new movie, Hereafter, ventures through that thin membrane separating the living from the dead. Director M. Night Shyamalan staked out a notable career in this territory, most notably with 1999’s well regarded The Sixth Sense. That’s our Smackdown: If dead people can communicate with us, what are they saying about these movies? […]

Life As We Know It (2010) -vs- thirtysomething (1987-1991)

October 5, 2010 Sherry Coben 1

Death of a loved one, friend or family, is a life-altering event; the grief and loss color everything for a while. Even when it seems that the worst of the grief has subsided, it still comes in waves for a while as we struggle to maintain our equilibrium and return to life as we knew it before loss. We live our day to day in a sort of agreeable coma, at least slightly convinced, temporarily comforted by the cozy lie that we are immortal, that those we love will never leave us. We know we are lying to ourselves, but while we may try to live consciously, to know the end will come, I think we mostly pretend otherwise. This is part of the reason that sudden and accidental deaths rattle us to the very core. […]

The Social Network (2010) -vs- You Again (2010)

October 2, 2010 Sherry Coben 9

Some films arrive with a fanfare of critical acclaim and a flurry of publicity and positive buzz. Since studio PR machines work overtime, such spin hardly guarantees greatness. Pedigree helps considerably; Aaron Sorkin, in spite of all his personal demons and occasional misfires, remains a critical darling, the smartest and cleverest fellow in just about any room. Director David Fincher hasn’t failed big yet either; critics are disposed to like whatever he delivers them, and so The Social Network opens with a golden stamp of near-universal pre-approval. […]

The Town (2010) -vs- Gone Baby Gone (2007)

September 17, 2010 Mark Sanchez 1

It rained this week in my hometown, Portland. Cooler now, leaves reddening, a change in the air. And a change in the movie-house. Summer’s over: The kids are back in school, the screen parade of teenagers with attitude and those tedious comedies about losers outta control have let up, for now. Good. As adults our fantasies are different, perhaps more character-driven. Mine are. That’s why it’s great seeing The Town arrive. It marks the follow up to Ben Affleck’s remarkable directorial debut in “Gone Baby Gone.” Flawed people, extreme actions and Boston seen with an eye for the small, telling details. Here we have vivid stories, similiar in texture if not in details, and the writing / directing touch of Ben Affleck. That’s our Smack. Is it enough to forgive and forget Gigli? […]

Inception (2010) -vs- The Dark Knight (2008)

July 16, 2010 Beau DeMayo 14

Christopher Nolan. The Dark Knight. That’s all about you need to know when it comes to how Inception has been marketed, a film whose title could easily be mistaken as “From The Director of The Dark Knight” as its actual title.

Inception and The Dark Knight are two movies that are so radically different, yet so fundamentally the same. Both films strive to do something radically different with their genres, turning the typical tropes on their heads and challenging audiences to keep up.

Now we put what many consider to already be Nolan’s masterpiece up against his newest film. Another masterpiece or just another movie? […]

Can Inception Save The Movie Industry?

July 14, 2010 Beau DeMayo 6

Friday at 12:01 a.m., the first batch of non-critic moviegoers will see “Inception”, Christopher Nolan’s new sci-fi existential heist flick. Â This week, critics spiralled into an ego war, some lauding the film as a cinematic […]

Micmacs (2009) -vs- A Very Long Engagement (2004)

June 28, 2010 Sherry Coben 4

An intensely visual director, Jeunet’s imagery remains consistently fresh and breathtakingly original, his fabulous fabulist’s palette uniquely his. Jeunet films have the urgency and half-remembered quality of dreams as they unfold. These tales exist in a rarefied and occasionally twee universe, timeless and with a winsome sense of fun and tricked-out grown-up child’s play even when the underlying subject matter gets serious. The subject at hand is war, and let’s just state the obvious up front – Jeunet’s against it.
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