News Ticker

In Praise of… 50/50

January 11, 2012 Bryce Zabel 0

50/50 deserves every bit as much Oscar love as The Descendants which is going to get its share. Both films are about dealing with terrible news and living through those stages of grief and 50/50 more than holds its own in that comparison.

Instead Academy members will probably see 50/50 as a diversion for people in their 20s, as light and comedic, and as another Seth Rogen getting stoned kind of movie. Well, it is actually those things within its frames, but it is so much more. […]

Hey, MTV: Stop Using Our Trademarked Name! Movie Smackdown®

December 30, 2011 Movie Smackdown 18

UPDATE – JANUARY 3, 2012

MTV has backed off its use of “Movie Smackdown” after we made it clear that it was our trademarked name through this post and by official means. They have changed the name of their tournament competition to “Movie Brawl.” Still not sure how they could have let this happen, but at least they’ve done the right thing when their mistake was pointed out to them. […]

Real Steel (2011) -vs- Rocky (1976)

October 9, 2011 Nicole Marchesani 10

Ah, the American dream. The hope that everyone, regardless of status, wealth or origin, has the opportunity to work for what they want and get it. One of the great ways Hollywood has represented the American dream in film is through boxing. Films like Cinderella Man, Ali, The Fighter and the most famous of all, Rocky. Rocky Balboa has been a symbol of the American dream for more than three decades. He continues to win the hearts of Americans by proving that the underdog from humble beginnings can go the distance.

Stepping into the smackdown ring to challenge Rocky is Real Steel, set to release in theaters Friday, October 6. Real Steel is a real contender, with a dynamic cast, stellar special effects and a sentimental story with heart. But does it have what it takes to defeat Rocky, the legendary, reigning champion? Let’s bring this fight to the ring and find out. There’s the opening bell… […]

Smacked Around Emmys

September 20, 2011 Bryce Zabel 0

An awards show is really the ultimate Smackdown, I guess, given that there are clearly established winners and losers. Except that it’s not politically correct to use those words anymore. Notice that the when the envelope is opened the phrase is “And the Emmy goes to…” and not “The winner is…” Oh, presenters still slip from time-to-time and admit the truth but they are discouraged from this, believe me.

As the former Chairman/CEO of the Academy of Television Arts & Sciences (including the 9/11 Emmy postponements of 2001), my wife Jackie and I go to the Emmys every year. I could certainly “cover” them or “review” them like the hundreds of other news organizations but, really, I’m just a guy with a camera standing on the Red Carpet and if you put me up against the massive armies deployed by Entertainment Tonight, Access Hollywood, Extra, The Insider, CNN, People, and everyone else, that’s not even a Smackdown, that’s a wipeout. […]

Hollywood in Wartime: Remembering the 2001 Emmy® Awards

September 4, 2011 Bryce Zabel 11

Since the Emmy Awards came into existence in 1949, they had never been postponed or canceled until 2001. In that year it happened twice.

I was elected Chairman/CEO of the Academy of Television Arts and Sciences in August 2001, almost a month to the day before 9/11. The Emmy broadcast was scheduled for September 16 of that year. Five days from the worst act of terrorism in history to a walk down the red carpet with Hollywood celebs was simply impossible to imagine.

As everyone re-plays the “Where were you?” moment that the horrific events became for all of us, my own memories combine the moral outrage at such a hideous act of mass murder with the POV of show business struggling to cope with this new reality of terrorism. It was a terrible time for the nation, one that I still think about often, and the most challenging professional moment in my career. […]

First Person: Going Viral Before Contagion

August 25, 2011 Bryce Zabel 2

While virtually everyone in the Internet world wants to go viral, back in the real world not everyone is so big on the concept. And for good reason.

Remember how lousy you felt the last time you had the flu? Now imagine that instead of getting better, well, that was it. The End.

The medical experts at the Centers for Disease Control think about such things all the time and, for over a year back in 2005-2006, we also obsessed about how a flu epidemic would change the world.

We came to the conclusion that it would be a pretty rough ride. Rather than expressing our opinions through a strongly worded letter-to-the-editor, though, we got to have our say in a multi-million dollar four-hour television miniseries.

Now, from what we can see of the new feature film Contagion, we feel like we were ahead of our time.

Although the final produced version of our project — Hallmark’s Pandemic — can’t compared to the brilliant production elements (fueled by studio cash and budget) that Steven Soderbergh brings to his version (written by Scott Z. Burns), our take Pandemic (written by Bryce Zabel & Jackie Zabel) won the Writers Guild of America award for “Outstanding Longform Original” in 2008. This means that multiple writers read our script that year and decided that, in our category, ours was the best of the bunch. We were pretty jazzed, we can’t lie about that one. […]

True Grit (2010) -vs- True Grit (1969)

December 27, 2010 Mark Sanchez 9

Apparently, if you need to track down a bad guy in the wild west, your absolute best shot at doing it is to hire a misogynistic one-eyed alcoholic. Whether you watch the old or the new True Grit, that much seems clear.

I’ll admit that something uneasy crept into my life upon learning Rooster Cogburn would live again in a remake of this 1969 crowd pleaser. Drawing from core material about murder and revenge, the film version gave us a smart, spunky girl who recruits John Wayne to the rescue. It won the Duke the Best Actor Oscar (as much for career recognition as his performance). It remains a pleasure to watch. Doesn’t need re-making, right?

Two words. Coen Brothers. Two more words. Jeff Bridges.

The vivid characters and language in the novel written by Charles Portis seem tailor-made for the Coen’s quirky sensibilities. The truth is that this film would never have been re-made except for their passion to do it. And now that they have, honestly, this one is a shoot-out for the ages. […]

Alice in Wonderland (2010) -vs- Avatar (2009)

March 16, 2010 Sherry Coben 26

I confess I’d happily watch Johnny Depp read a phone book, but even accounting for my extreme prejudice, his performance as the Mad Hatter is the linchpin of the piece. He is its heart, its Scarecrow, its Tin Man. Acting through crazily tinted contacts and a crowning frizz of unfortunate and unearthly ginger, Depp somehow manages to play a compelling leading man, a romantic lead, and an action hero. (His promised triumphant Futterwacken is a dire misfire and huge disappointment, a limp noodle of a magical victory dance.)
The rest of the cast performs admirably enough. Anne Hathaway Glindas it up as the White Queen, Crispin Glover plays the Knave of Hearts as elongated creepy courtier, and Helena Bonham Carter goes ghostly pale once again, this time a vain and giant-noggined Red Queen. She’s delicious and mordantly funny, and her decapitated head-filled moat provides enough nightmare food to keep kiddie nightlights burning for a good long time.
[…]

Green Zone (2010) -vs- The Hurt Locker (2009)

March 16, 2010 Beau DeMayo 5

It’s not a good time for the American occupation of Iraq. The news from “over there” is that the followers of Moktada al-Sadr, the radical cleric who led the Shia insurgency against the American occupation, have emerged as Iraq’s equivalent of the 1994 Republican Party. Meanwhile, back in the United States, Americans voted about Iraq, too, refusing to give “Green Zone” any mandate whatsoever. And, keep in mind that the other Iraq film that just won the Best Picture Oscar, “The Hurt Locker,” basically was one of the worst-peforming winners in that category ever. Maybe it’s just the hot button political sensitivities, war-weariness, or that it is simply “too soon.” Other critics can decide that, however, because here at the Smack, we simply want to know which film about the Iraq War gets it most right, box-office be damned!
[…]

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