Action Archives - Page 9 of 13 - Movie SmackdownÂ®

Quarantine (2008) -vs- Cloverfield (2008)

February 7, 2010 Rodney Twelftree 0

Sometimes, it’s the reality of a scenario that scares us the most. Film-makers are turning to more and more alternate methods of delivering a film to jaded, YouTube-obsessed audiences. With the two films on offer in this Smackdown, we delve into the world of “found footage” cinema and its gradual proliferation among the mainstream today. One, “Cloverfield,” takes us into New York city during a terrifying alien attack. The other, “Quarantine,” (a remake of a successful Spanish film entitled “REC” from 2007) delivers the story of a group of apartment residents, some fire-fighters, police, and a news crew, who become trapped inside a block of units when they are sealed in to stop the spread of a mysterious virus. Both are filmed in the Single Camera Perspective. Both are equally gripping. Both are filled with images and moments that will stay with the viewer forever. But which is better: alien attack and mass destruction, or simple, human drama played out with feverish speed and incalculable terror?
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Edge of Darkness (2010) -vs- The Brave One (2007)

January 30, 2010 Mark Sanchez 5

High stakes for Mel Gibson these days. As an actor he’s been off the screen.. and uncomfortably in the headlines.. the past half-dozen years. I’m not the only person wondering if audiences would remember Mel Gibson for what he said on screen.. or for what he said during a drunk driving arrest.
So here he comes in the remake of “Edge of Darkness.” This carefully chosen material calls out all the character elements that define Gibson’s screen work: emotional intensity, a violated sense of right and wrong, and few qualms about a violent response.
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The Book of Eli (2010) -vs- The Road (2009)

January 27, 2010 Bryce Zabel 14

We men have a default for action. So when the apocalypse arrives, we donâ€™t plan on hunkering down, or trying to plant new crops.

No, we will hit the road, even if we donâ€™t know where weâ€™re going and, believe me, weâ€™re not asking directions. For us, the idea is to keep moving.

My own personal take on the apocalypse is that it wonâ€™t be awesome, and it wonâ€™t be like a movie. It will be grimy, and personal hygiene will suffer, but the reason itâ€™s called the apocalypse is that life will get cruel, short, and random, leaving precious few lines of witty dialogue to speak, or elegantly-staged action sequences to unfold. […]

Legion (2010) -vs- Daybreakers (2010)

January 25, 2010 Mark Sanchez 3

“Legion,” just out, calls out the forces of heaven; in “Daybreakers,” the irresistible force comes from another place. Both strain story logic and borrow from better movies but sputter out the same question: Humans, how do you want to die?
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Inglorious Basterds -vs- Saving Private Ryan

Inglourious Basterds (2009) -vs- Saving Private Ryan (1998)

January 23, 2010 Bryce Zabel 11

High-profile directors like Tarantino and Spielberg dearly love taking a shot at putting their own brand on a World War II movie, no doubt because of the lure of working with badass villains and ass-kicking good guys.

Both of these films re-defined the genre as it existed when they were released and were considered Oscar-worthy enough to get Best Picture nominations (although both fell short).

Here at the Smack, they’ve each won a first round against a lesser contender: Saving Private Ryan knocked out the intense but difficult The Thin Red Line in our review, and Inglourious Basterds did the same against Spike Lee’s mediocre Miracle at St. Ana. Both of the winners in this Championship Round come with their passionate defenders. You can express yourself in our reader poll embedded in our post. Meantime, here’s how I call the fight… […]

Ten Years of Super Moments

January 7, 2010 Beau DeMayo 3

There’s a theory that a movie, in order to succeed, only needs a handful of scenes or moments that really, really work. In other words, the macro is made from the micro. With the decade wrapped and a new one underway, I succumb to list-itis, and offer up ten major moments in films from the last ten years.
These are moments in film that just blew me away, that left me out of my body, totally immersed in the film’s emotion. This happens so little in film for me, that when it actually occurs, I’m left speechless (which is why, I guess, I’m compelled to write about them).
These are the moments I leave the theater thinking about, against which I compare my own life’s events. These moments in time are what movies are all about, and #10 on the list comes from one of my favorite films, “Superman Returns.”
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Avatar (2009) -vs- Dances with Wolves (1990)

December 21, 2009 Beau DeMayo 26

Allegorical movies are tough. On one hand, the social messages are essential to keeping cinema relevant and meaningful. Yet I always grow wary of a movie made for the sake of a message and not for the sake of entertaining audiences. The best way to judge that may be to measure Avatar against another film that it shares some themes with: Dances with Wolves.

Both films, for example, discuss imperialism against the epic backdrop of human emotion and struggle — only one does it here on Earth, the other on a faraway planet. But what about the entertainment value? The story? The characters? Which film goes the farthest beyond preaching and instead involves its audiences in the big question: What would it take for me to go up against my own kind? […]

Bryceâ€™s Ten Best Films of the Past Ten Years

December 15, 2009 Bryce Zabel 9

Everybody seems to be out with their Top Ten. This year it’s a two-fer. You can go with “Top Ten of 2009” or “Top Ten of the Decade.” I say go for the Top Ten […]

Angels & Demons (2009) -vs- The Da Vinci Code (2006)

October 12, 2009 Rodney Twelftree 4

The Catholic Church is beset with problems in these two films based on the best-selling novels by Dan Brown. On one side, a secret order threatening to uncover the greatest secret in the history of the world, and render the Church obsolete. On the other, another secret (and long thought extinct) brotherhood threatening to blow up Vatican City. Yep, somebody has it bad for the Pope, and it’s up to an American University lecturer to save the day. So settle back, say a few Hail Marys, and prepare to enter the world of Robert Langdon, the world’s smartest symbologist.
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Pandorum (2009) -vs- Event Horizon (1997)

October 6, 2009 Bryce Zabel 20

Ever since “Alien” showed the dark side of “2001: A Space Odyssey,” filmgoers have been disabused in one film after another of any thought that going where humans haven’t gone before can be a noble journey. Cold, hostile, horrific space, set in the middle of this century — that’s our Smackdown …
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