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About Bryce Zabel
Drawing inspiration from career experiences as a CNN correspondent, TV Academy chairman, creator of five produced primetime network TV series, and fast-food frycook, Bryce is the Editor-in-Chief of "Movie Smackdown." While he freely admits to having written the screenplay for the reviewer-savaged "Mortal Kombat: Annihilation," he hopes the fact that he also won the Writers Guild award a couple of years ago will cause you to cut him some slack. That, plus the fact that he has a new StudioCanal produced feature film, “The Last Battle,” shooting this summer in Europe about the end of World War II. He's also a member of the Directors Guild, Screen Actors Guild, and a past enthusiast of the Merry Marvel Marching Society. His new what-if book series, “Breakpoint,” just won the prestigious Sidewise Award for Alternate History, and has so far tackled JFK not being assassinated and The Beatles staying together.
Contact: Website

Extraordinary Measures (2010) -vs- Lorenzo’s Oil (1992)

January 21, 2010 Bryce Zabel 1

Both movies are all about overcoming the odds and a parent’s love that allows them to suffer anything to help their children. In “Extraordinary Measures,” this involves the Internet but “Lorenzo’s Oil” takes place in the world before all the answers were at your fingertips and, initially, it seems like a tougher problem. God knows it’s hard for an average guy to find venture capital and start a company but it’s not quite the level of problem as actually becoming a scientist and curing a disease. So, in set-up, “Lorenzo’s Oil” has more obstacles but it’s also way more daring with the characters. Although there are characters in “Extraordinary Measures” who aren’t saints (notably, the prickly scientist played by Ford), the parents sure are. “Lorenzo’s Oil,” in contrast, is daring enough to suggest that in this war to save a child that both parents become sort of, well, unlikeable because the stakes are too high to care about being nice. It’s a bold choice. Both films try to strike a balance in not stereotyping the medical establishment as unfeeling money-grubbers and to see them as scientists who are trying to solve a problem by being unbiased in their approach, something that a desperate parents can never really be.
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The Golden Globes: The Elephant in the Room

January 17, 2010 Bryce Zabel 2

The humanitarian crisis in Haiti hung thick in the air, mentioned occasionally by winners and presenters and PSA’s, the tragic elephant in the designer-bedecked room. Real life tragedies often impinge on the proceedings at these annual self-aggrandizing soirees; it’s challenging for attendees to strike the right balance and tone. Some may remember the Emmys were scheduled to occur right after 9-11 and pushed back. And right after Martin Luther King was shot, the Academy Awards were delayed a couple of days. Real life and disasters happen on their own time; the most gracious and moving acceptance speeches take eloquent note of this awkward situation.
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James Cameron -vs- Ex-Mrs. Cameron

January 16, 2010 Bryce Zabel 2

Friday night in the Critics' Choice Awards, James Cameron's "Avatar" lost out to Kathryn Bigelow's "The Hurt Locker" in the BEST PICTURE category. Bigelow used to be married to Cameron. Ouch. It got a little […]

VOTE NOW: Smackdown Poll on DGA Nominees

January 15, 2010 Bryce Zabel 10

The Directors Guild of America nominations traditionally predict the Academy Award nominees (and winners) with considerable and uncanny accuracy. DGA nominees are also traditionally and almost exclusively white males. This year, in a more-than-welcome break with that longheld and too-infrequently broken tradition, Kathryn Bigelow (“The Hurt Locker”) and Lee Daniels (“Precious”) are crashing the extremely prestigious party. Vote here for your favorite nominee:
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TV’s Last Suppers: Locke, Cylon Six & Tony

January 4, 2010 Bryce Zabel 5

We just couldn’t pass up this visual Smack on one of TV’s new trends, publicity stills that use the theme of “The Last Supper.” The latest to try this is ABC, promoting its final season of “Lost” but we’ve also seen Sci-Fi (SyFy) try it with the last pass at “Battlestar Galactica” and HBO in its first season (we think) with “The Sopranos.” If you click on the montage below, you can look at it in much fuller resolution. […]

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