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About Bryce Zabel
Drawing inspiration from career experiences as a CNN correspondent, TV Academy chairman, creator of five produced primetime network TV series, and fast-food frycook, Bryce is the Editor-in-Chief of "Movie Smackdown." While he freely admits to having written the screenplay for the reviewer-savaged "Mortal Kombat: Annihilation," he hopes the fact that he also won the Writers Guild award a couple of years ago will cause you to cut him some slack. That, plus the fact that he has a new StudioCanal produced feature film, “The Last Battle,” shooting this summer in Europe about the end of World War II. He's also a member of the Directors Guild, Screen Actors Guild, and a past enthusiast of the Merry Marvel Marching Society. His new what-if book series, “Breakpoint,” just won the prestigious Sidewise Award for Alternate History, and has so far tackled JFK not being assassinated and The Beatles staying together.
Contact: Website

The Conspirator (2011) -vs- JFK (1991)

April 23, 2011 Bryce Zabel 1

Two presidents get assassinated, a hundred years apart. Both assassins (alleged, anyway) get killed before they can face trial, and they go down in history firmly attached to their middle names, John Wilkes Booth and Lee Harvey Oswald.

In these two films, the main characters are lawyers, drawn into the fray by a sense of justice, who end up arguing unpopular positions (at least to the powers-that-be) in court — the earlier film on offense, this latest film on defense. Both men pursue their out-of-step sense of justice to the extreme, so much so that the women in their lives think they’ve gone quite insane.

At the end of the day, both viewing experiences cause you to consider that maybe it’s not the courts that really decide the winners anyway, maybe it’s just the movies we make about them. […]

From the Editor-in-Chief

March 27, 2011 Bryce Zabel 1

Welcome to Movie Smackdown! 2.0, a film review concept that sees film reviewing as a competitive sport and exists to create moments of film-on-film violence!

The concept — 2 Movies. 1 Review. No Mercy. — is the same as it’s been since we began six years ago, based on the fact that most people like to talk about and rate films in terms of the other similar films they’ve seen before. We usually put a new film coming out in theaters in the ring with an older film that’s available on DVD or download.

That part hasn’t changed but the execution has evolved. First, we have a new look — more of a site and less of a blog.

Second, while you will still hear the opinions of our multiple reviewers as we have in the past, we’re also putting you in the center of the ring where you can make the call. […]

The Most Popular Movie President of All-Time Is…

May 11, 2010 Bryce Zabel 3

It was Ford in a landslide. Nope, not Ford as in Gerald who lost to Jimmy Carter, but Ford as in Harrison who walked away with our Movie Smackdown presidential poll, taking 26.4% of the votes in a ten-man race.

Ford played President James Marshall in the 1997 film, “Air Force One.” Marshall has just gone to Moscow where he’s told the entire world he will not negotiate with terrorists. Then, on the flight home, Russian neo-nationalists hijack Air Force One forcing an ugly decision on Marshall: give in to terrorist demands or sacrifice not only the country’s dignity, but the lives of his wife and daughter. Well, there is one thing in his favor. He’s a military guy, a winner of the Medal of Honor, and he’s going to fight back.

Apparently we liked this version of the Marshall Plan a lot because when given ten of the top performances by an actor as a president to choose from, our Movie Smackdown voters gave a clear and convincing mandate to Harrison Ford. Here’s our results:
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Chloe (2010) -vs- Fatal Attraction (1987)

March 23, 2010 Bryce Zabel 0

If you’ve ever been loved by somebody too tightly, then you know how scary it could be to let someone in your life and then not know how to extricate yourself from their smothering grasp. The trick in erotic thrillers like “Chloe” and “Fatal Attraction” is execution. Too far on one side of the spectrum, they become cerebral. Too far on the other side, they become unintentionally comedic.

Although “Fatal Attraction” defined this genre back in the late 80s, it’s been re-visited over the years in films like “The Hand That Rocked the Cradle” and “Single White Female,” and now it gets brought to life again in “Chloe.” All I can say before we begin is that seeing these two back-to-back is enough to drive the average person to mandatory background checks on all potential lovers. Be afraid, be very afraid.
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Superman -vs- Clark Kent

March 13, 2010 Bryce Zabel 2

How clueless do you have to be to not realize that Superman and Clark Kent look exactly alike?

That’s the question for the ages — something that has haunted every version of Superman since he debuted as a comic book character in 1938. His was one of the original “secret identities” and the concept involved the Man of Steel being accepted by everyone as an alien visitor (who looks human) known as Superman. Even so, no problem there. Part two got tricky…

When he put on a pair of glasses and a business suit and acted a little differently in order to pass as Clark Kent, however, it seemed that nobody realized they were the same person. As comic book films have gotten more and more realistic, the cognitive dissonance we experience in enjoying the character has grown greater and greater.

Back in 1994, I got a chance to wrestle with that conundrum for a while when I was supervising producer of the first season of ABC’s Lois & Clark. Now it looks like it’s Christopher Nolan’s turn since he’s been tapped as the Chosen One for the latest Superman feature reboot. He’s probably already obsessing on this and many other issues and, maybe, just maybe, he’s going to take the license to fix this one. I think he can — even while keeping the original conceit — and we’ll get to that in a minute… […]

And the Smacky Goes To…

March 6, 2010 Bryce Zabel 0

This year’s poll of the Oscar favorites attracted hundreds of our most intelligent readers (see how much we’re willing to pander to those activists?) and they have spoken. We asked them not to vote for the film they think will win but for the film they think should win. They’ve given us a statistical tie between…
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