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The Twilight Saga: Breaking Dawn – Part 2 vs. Harry Potter and the Deathly Hallows: Part 2

November 16, 2012 Nicole Marchesani 5

If movies are like summer flings, movie franchises are more like long-term romances. We invest a lot of time and emotion in them; we feel really good while we’re involved; and after they’re all over, we wonder if we’ll ever experience anything else quite the same. I was thirteen years old when the first Harry Potter film was released in 2001 (the same age as Harry was). When the final film was premiering in theaters, I was 22. Essentially, Harry and I grew up together.

Similarly, Twilight hit theaters during my first year at college, and now, five years later, the final installment has arrived. Bella, the clumsy human turned empowered vampire, has graduated from high school and is forced to make some pretty adult, albeit bizarre, decisions. This feeling that we grow and mature and change alongside the characters is something we can’t ever get from just one film. We’ve formed meaningful attachments to these characters, and so, for the fans, it’s imperative that the endings be everything we hope for and more. […]

Lincoln (2012) vs. Thirteen Days (2000)

November 8, 2012 Arthur Tiersky 10

You’ve heard about all the Kennedy/Lincoln coincidences by now. Some of them are even true. But did you know that Kennedy and Lincoln both have had movies made about pivotal moments in their presidencies? Yeah, I guess you probably did know that. The long list of movie Lincolns includes such notable stars as Henry Fonda, Walter Huston and now, in Steven Spielberg’s new film, Lincoln, Daniel Day-Lewis, while Kennedy has been assayed by, among others, Cliff Robertson, James Franciscus and Bruce Greenwood, who played our youngest President in the true-to-life political thriller, Thirteen Days.

But did you know that I just happened to watch both Lincoln and Thirteen Days in the same week? […]

Skyfall (2012) vs. The Bourne Legacy (2012)

November 8, 2012 Eric Volkman 8

Two determined superspies, two venerable movie franchises. The more venerable one, James Bond – by some standards, the longest-running film series in history – fattens its library this weekend with the release of Skyfall, starring Daniel Craig, who plays the suave secret agent for only the third time. Fighting in the defending champ’s corner is The Bourne Legacy, featuring a lead character so new, he’s not even named Bourne. Jeremy Renner plays the genetically enhanced secret warrior Aaron Cross, outrunning various government creeps who are trying to assassinate their own man to protect their black-ops program. […]

The Rutles: All You Need Is Cash (1978) vs. This Is Spinal Tap (1984)

November 5, 2012 Shelly Goldstein 4

Beatlemania didn’t just consume Baby Boomers; it defined them. When the band broke up in 1970, their split caused a seismic generational depression as powerful as the surge of joy that began the night of Sunday, February 9, 1964 on the Ed Sullivan Show. So, it was no surprise that the Beatles’ already legendary status proved to be fertile soil for comic parody, inspiring a classic docu… excuse me, mockumentary, built around the greatest Fab Faux band that never was: the Rutles. In turn, The Rutles: All You Need Is Cash, opened the door for yet another fake documentary set in the music world: This Is Spinal Tap, the first feature directed by Rob Reiner.

The Rutles clearly took aim at the Beatles, whereas Spinal Tap focused on a band of mindless metal-head morons. Neither film was what you would call a hit when it premiered. One ran as a network TV special, finishing last in the week’s ratings, and the other was a theatrical comedy that most people didn’t realize was a joke. Yet both today are considered classics of their time, because they were able to capture the massive cultural energy surrounding the British Invasion of the ’60s, lovingly embrace it, and then turn it ever so slightly onto its ear. […]

Wreck-it Ralph (2012) vs. Toy Story (1995)

November 2, 2012 Joe Rassulo 3

When we Baby Boomers were kids, our toys had lives of their own to us. Now that our children are young, it’s their video game characters that seem real to them. So, having once cherished my Davy Crockett coonskin cap and toy rifle, it was easy for me to see poetry in Toy Story’s Woody, a child’s inanimate cowboy doll by day, and a fretting, insecure, full-blooded character, when no one was looking at night.

My 10-year-old son Jack never had a doll like Woody to play with, but he did grow up with video games and movie characters, including Mario and Luigi. So naturally, Disney, which teamed with Pixar to bring us Toy Story, has jumped into the breach with a similarly themed movie for the Millennials. The new film, Wreck-It Ralph is also about the secret lives of children’s play-things once humans are out of the way. And the same John Lasseter who skyrocketed to prominence as Toy Story’s writer-director is overseeing Ralph as executive producer. […]

Flight (2012) vs. Cast Away (2000)

November 1, 2012 Bryce Zabel 1

I’ve tried to warm up to the motion-capture films Robert Zemeckis has been drawn to recently (Polar Express, Beowulf, Mars Needs Moms) and failed, mainly because it feels as if they have not yet sufficiently warmed up to me. But despite his recent, animated Crapfest from the Uncanny Valley, these two live-action, survival dramas – Flight and Cast Away – are among my favorite films.

When it comes to drama about the human condition, they’re both a cut above. And they have something else in common too: Each tries pretty successfully to create the scariest jet crash ever seen on film, at the time it went before the cameras. […]

How I Won the War (1967) vs. The Magic Christian (1969)

October 28, 2012 Mark Sanchez 3

Because the Beatles both led their times and and lived with the creative and political expectations of them as well, the energy drain from Beatlemania had been significant. By the time these two films were made in the late 1960s, the cracks were already showing — definitely in society but even, now, in the Beatles who were, more than ever, four guys named John, Paul, George and Ringo.

The Beatles had had a mixed film run. Certainly A Hard Day’s Night (1964) and Help! (1965) were commercial and artistic successes for United Artists (see Smackdown here). But following them up with the barely conceived Magical Mystery Tour (1967) and an arm’s length involvement with Yellow Submarine (1968) hardly signaled that the Beatles had gone Hollywood.

All the Beatles toyed with Hollywood as solo artists both behind-the-scenes and in front-of-the-camera. The first to show individual interest, though, were John Lennon in How I Won the War (1967) and Ringo Starr in The Magic Christian (1969). They each acted in an establishment-tweaking, sarcasm-bubbling and sometimes cringe-inducing films that are certainly cultural artifacts.

Want to know which one of those films works so much better than the other? As Paul McCartney wrote in a song he gave Badfinger that went in his buddy Ringo’s film, keep reading and “Come and Get It.” […]

Chasing Mavericks (2012) vs. North Shore (1987)

October 26, 2012 Sarah Harding 2

Earnest young hero struggles to master a sport and is aided by a gruff and/or reluctant mentor. Yeah, we’ve seen it before, again and again, from Rocky to Hoosiers to Karate Kid. But there must be something we love about the formula, right? Something that speaks to the human spirit, embodied in a young athlete trying to rise above his limitations to achieve something greater than anyone thought possible.

Here, the sport is surfing, which means each of these two competing films, Chasing Mavericks, which premieres this weekend, and 1987’s semi-cult-classic North Shore, has the opportunity to inspire and humble us with nature’s awesome beauty. Of course, it’s just as likely that each might drive non-sports fans like me crazy by drowning us in a tidal wave of movie clichés. […]

Cloud Atlas (2012) vs. The Tree of Life (2011)

October 25, 2012 Eric Volkman 9

We at the Smack like a sprawling, epic movie about Big Themes as much as anyone else. So in this edition we’re throwing two big, brainy behemoths against each other in a ring-shaking Sumo contest.

In the challenger’s corner, weighing in at a few thousand pounds and nearly three hours in length, is a film so big it needed three credited directors: Cloud Atlas, essentially six movies in one, covering a range of genres, time periods and motifs. Our reigning champ is The Tree of Life, a thick, mood piece by Terrence Malick about a middle-aged man’s reflections on his upbringing and relationship with a tough, unhappy father. And, oh yeah, the origins of life and nature while we’re at it. […]

Help! (1965) vs. A Hard Day’s Night (1964)

October 20, 2012 Shelly Goldstein 20

Four Working Class Heroes, John Lennon, Paul McCartney, George Harrison and Ringo Starr, landed on our shores on February 7, 1964, exactly six weeks to the day after an assassin’s magic bullet claimed the life of President John F. Kennedy and threw the U.S. into mourning. America needed to party and try to forget, and these longhairs from Liverpool provided the soundtrack.

Hollywood wanted the “mop-tops” onscreen, and fast! The result was two United Artists films over two years: A Hard Day’s Night (1964) and Help! (1965). Both were devoured by legions of fans, spawned must-have albums and brought America and rock music, back to life.

Hollywood knew there was big money to be made putting teen idols onscreen and selling the finished product to screaming fans. The film studios had already castrated the King of Rock Elvis Presley after he came back from the army, by cramming him into a series of forgettable romps, re-traced more than they were written. The bar of quality wasn’t exactly high.

But the Beatles managed through talent, pluck and timing to rise above the sheer craven commercialism of the enterprise and make a couple of gems that are still well worth watching today. Our Smackdown then: Which one — A Hard Day’s Night or Help! — packed the definitive pop punch for the ages? Read on… A splendid time is guaranteed for all… […]

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