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Inglourious Basterds (2009) -vs- Saving Private Ryan (1998)

January 23, 2010 Bryce Zabel 11

High-profile directors like Tarantino and Spielberg dearly love taking a shot at putting their own brand on a World War II movie, no doubt because of the lure of working with badass villains and ass-kicking good guys.

Both of these films re-defined the genre as it existed when they were released and were considered Oscar-worthy enough to get Best Picture nominations (although both fell short).

Here at the Smack, they’ve each won a first round against a lesser contender: Saving Private Ryan knocked out the intense but difficult The Thin Red Line in our review, and Inglourious Basterds did the same against Spike Lee’s mediocre Miracle at St. Ana. Both of the winners in this Championship Round come with their passionate defenders. You can express yourself in our reader poll embedded in our post. Meantime, here’s how I call the fight… […]

Extraordinary Measures (2010) -vs- Lorenzo’s Oil (1992)

January 21, 2010 Bryce Zabel 1

Both movies are all about overcoming the odds and a parent’s love that allows them to suffer anything to help their children. In “Extraordinary Measures,” this involves the Internet but “Lorenzo’s Oil” takes place in the world before all the answers were at your fingertips and, initially, it seems like a tougher problem. God knows it’s hard for an average guy to find venture capital and start a company but it’s not quite the level of problem as actually becoming a scientist and curing a disease. So, in set-up, “Lorenzo’s Oil” has more obstacles but it’s also way more daring with the characters. Although there are characters in “Extraordinary Measures” who aren’t saints (notably, the prickly scientist played by Ford), the parents sure are. “Lorenzo’s Oil,” in contrast, is daring enough to suggest that in this war to save a child that both parents become sort of, well, unlikeable because the stakes are too high to care about being nice. It’s a bold choice. Both films try to strike a balance in not stereotyping the medical establishment as unfeeling money-grubbers and to see them as scientists who are trying to solve a problem by being unbiased in their approach, something that a desperate parents can never really be.
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Leap Year (2010) -vs- Youth in Revolt (2010)

January 20, 2010 Sherry Coben 6

Cookie cutter romantic comedy satisfies a too-easily edified audience. No matter how formulaic and tepid the sausage, the factories grind out more product to feed the gaping maw; indie films usually attract a more marginal fringe-ier crew, on the hunt for the original, the untold (or even oft-told) story told in fresh new ways. Pitting a humble little indie versus a major studio wide release makes for an inherently unfair fight and one with a foregone conclusion at the box office, but ticket sales won’t sway this Smackdown. As “Leap Year” bounds onto virtually every available screen and Quirky Indie-That-Could “Youth In Revolt” limps onto a fraction of that number, ask yourself: Is bigger necessarily better? Does conventional beat quirky?
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The Golden Globes: The Elephant in the Room

January 17, 2010 Bryce Zabel 2

The humanitarian crisis in Haiti hung thick in the air, mentioned occasionally by winners and presenters and PSA’s, the tragic elephant in the designer-bedecked room. Real life tragedies often impinge on the proceedings at these annual self-aggrandizing soirees; it’s challenging for attendees to strike the right balance and tone. Some may remember the Emmys were scheduled to occur right after 9-11 and pushed back. And right after Martin Luther King was shot, the Academy Awards were delayed a couple of days. Real life and disasters happen on their own time; the most gracious and moving acceptance speeches take eloquent note of this awkward situation.
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James Cameron -vs- Ex-Mrs. Cameron

January 16, 2010 Bryce Zabel 2

Friday night in the Critics' Choice Awards, James Cameron's "Avatar" lost out to Kathryn Bigelow's "The Hurt Locker" in the BEST PICTURE category. Bigelow used to be married to Cameron. Ouch. It got a little […]

VOTE NOW: Smackdown Poll on DGA Nominees

January 15, 2010 Bryce Zabel 10

The Directors Guild of America nominations traditionally predict the Academy Award nominees (and winners) with considerable and uncanny accuracy. DGA nominees are also traditionally and almost exclusively white males. This year, in a more-than-welcome break with that longheld and too-infrequently broken tradition, Kathryn Bigelow (“The Hurt Locker”) and Lee Daniels (“Precious”) are crashing the extremely prestigious party. Vote here for your favorite nominee:
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Avatar (2009) -vs- Star Trek (2009)

January 13, 2010 Rodney Twelftree 3

The Smackdown There’s nothing more exciting than a throw down between two cinematic juggernauts: in this instance, two of the most critically acclaimed (and financially successful) films of the last year. One, a revisionist look […]

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